I am SOOOOO happy for this cast/crew/show. Its my favorite R&H show and one of my all-time favorite musicals. I really HAVE to see it, or I might die. I just might.
Anyway, I have to agree with the others about Mr. Brantley's georgously written review, I can't get this line out of my head:
"...the score performed by the sumptuously full orchestra (with musical direction by Ted Sperling) feels from the beginning like thought made effortlessly audible."
I've never thought of it like that. Its such a beautiful idea.
I think it's safe to say South Pacific has Best Revival.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Grey Gardens The Drowsy Chaperone Dirty Rotten Scoundrels Follies The Full Monty The Producers Hairspray Annie Get Your Gun Curtains Legally Blonde Cry-Baby The Little Mermaid
In London--
Billy Elliot Mary Poppins The Lion King
They've also seen the Kennedy Center productions of CARNIVAL and MAME.
They have (and often watch) the DVDs of THE SOUND OF MUSIC, FLOWER DRUM SONG, OKLAHOMA and THE KING AND I. (And tons of other movie musicals.)
And my daughter is appearing in her school's production of THE KING AND I, so I think I just answered my own question.
I'll call Lincoln Center today.
"Be on your guard! Jerks on the loose!"
http://www.roches.com/television/ss83kod.html
**********
"If any relationship involves a flow chart, get out of it...FAST!"
I think your kids would be enamored by it, Miss P!
It's just a beautiful production.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
SIMPLY wonderful! Bartlett Sher's masterly reinvention of Rodgers & Hammer stein's "South Pacific" opened at the Vivian Beaumont last night with enough wattage to keep Lincoln Center alight for years. ... Sher has been helped here by Christopher Gatelli's boisterous but unobtrusive choreography, Michael Yeargan's beautiful settings (at the start, the thrust stage rolls back to expose the full and eloquent orchestra) and Catherine Zuber's carefully accurate costumes.
Where Sher and Yeargan have been especially effective is in their sense of period, and, more important, a period filtered through the perspective of history. (Interestingly, although the races are carefully kept apart, the show updates the integration of the US Navy by a couple of decades.) This "South Pacific" is not a faded photograph, but a modern etching.
Except in one delicious respect: O'Hara, who gives a totally different reading from the role's great originator, Mary Martin, offers an uncannily precise re-creation of her "Honey Bun." Charming!
...
The Brazilian-born Szot is only 38. Also a refugee from opera, he has a splendid voice, fine presence and acts superbly. When this gig is ended, he'll no doubt resume a burgeoning operatic career.
As for the rest, there's not a single weakness - with Burstein offering a magnificent mix of sleaze and heart as Luther, and the excellent Morrison (whose profile resembles James Dean's) leaves a poignant impression as the young airman, Cable.
This is a great staging of a great show, not least for its portrait (now too sadly apt) of young America at war.
I'll bet Steven Pasquale is kicking himself yet again.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Miss P- I went to a Sunday matinee and there were children of all ages there who all seemed to be really into the show. At intermission there were a few parents trying to explain some of the racial stuff to their young kids- but even if the kids were a little confused they were engaged and asking questions. I actually think it's a really great show to take kids to, since it's so well done and really shows how great theatre can be. Plus, it has the added benefit of being a traditional musical.
Foster- Pasquale wasn't let out of his contract. It wasn't because he didn't want to do it. Very often, TV shows won't let their actors out of their contracts when they want to do a movie or a show and it interferes with filming.
"Sing the words, Patti!!!!" Stephen Sondheim to Patti LuPone.
It's funny - thinking back on all of the Tony prediction posts where South Pacific wasn't even mentioned and Sunday was a "shoe in" for weeks and weeks.
Star Ledger, Washington Post, New York Sun, Newsday, New York Post, New York Times, Talkin' New York, NY 1, USA Today, Associated Press - all incredible.
I'm well aware, wickedfan. My point was, because of his TV show, he has had to pass up the opportunity to create the role of Fabrizio in PIAZZA and now Cable in an acclaimed revival of SOUTH PACIFIC.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Another great quote from the Washington Post on the sets:
"The evocation here of the gritty military intrusion on paradise is one of the evening's triumphs. Designer Michael Yeargan devises what feels like the set of an epic movie, one on which the harsh realities of war and occupation virtually push the natural beauty of the place to the sidelines. Off in the distance, beyond the planes and trucks and detritus of war, we glimpse an ocean and the dunes of the beach, over which sailors and islanders depart for mystical Bali Ha'i, whose twin volcanoes seem to emerge, thanks to lighting designer Donald Holder, magically from the mist."
Just from the orchestra to the cast to the sets and everything in between: a glorious revival!
Brantley didn't review IN THE HEIGHTS and PASSING STRANGE, so you're insulting comments toward those two glorious shows of a different breed are invalid.
Settle down Foster ! You missed the point entirely-as you usually do. Don't worrry, your "block party" musical will mostly win the Tony, for the mere fact that it's a lackluster season for new musicals. A feel good musical, yes, but hardly deserving of a Tony award.
This revival is probably the best musical production I've seen on any Broadway stage.
"I know we’re not supposed to expect perfection in this imperfect world, but I’m darned if I can find one serious flaw in this production. (Yes, the second act remains weaker than the first, but Mr. Sher almost makes you forget that.)"
It's interesting seeing the word "perfection" in many reviews. As I walked out the door of South Pacific, I remarked to my friend "This is as close to perfection as I have ever seen."
After all of these AMAZING reviews, I happened to stumble upon Telecharge this afternoon. I'm treating my grandmother to the show in August as an early-birthday gift. Her birthday is actually Sept. 11, but yeah, I wanted a summer sizzler to really lift the spirits! We have C-ORCH / D / 303-304? For anyone who's attended previously, how's the view, etc., etc.? Any and all insight appreciated. I am VERY MUCH excited!
Those are good seats at the Beaumont. To be honest, there aren't bad seats in that theater. But for this production, the closer you are to the center of the theater, the better. You really need to take in the whole beautiful view of that set, and you might miss some of it from the seats against the side walls.
I'm sure there are a lot of happy people at Lincoln Center this weekend. What a rack of reviews!