She's Back! CARRIE - First preview !!! — Page 13
#302
Posted: 2/2/12 at 1:51pm
I love that description - I love how rather than chaos the moment is dead quiet. The world stops. Now that's scary.
#303
Posted: 2/2/12 at 1:56pm
I always thought after the blood drop it should be met with stunned silence.
Namo i love u but we get it already....you don't like Madonna
#304
Posted: 2/2/12 at 1:59pm
It's a little like a production of Sunset Boulevard where the director says, "We don't want our Norma Desmond to be monster. We want her to be a REAL person, a person who has been hurt by her past, trying to find a way forward into her future. OUR Norma is not a gorgon".
Well, fine...but what's the fun in that?
I think most people who watch this production of Carrie will wonder what the fuss has been about all these years.
Well, fine...but what's the fun in that?
I think most people who watch this production of Carrie will wonder what the fuss has been about all these years.
Behind the fake tinsel of Broadway is real tinsel.
#305
Posted: 2/2/12 at 2:00pm
"They were drenched. Carrie got it the worst. She looked exactly like she had been dipped in a bucket of red paint. She just sat there. She never moved...."
I guess the fact that Arima is using red paint is OK now? Stephen King described it that way himself!
I just downloaded the book on my iPad, as I have never read it, and now seems as good a time as any.
I guess the fact that Arima is using red paint is OK now? Stephen King described it that way himself!
I just downloaded the book on my iPad, as I have never read it, and now seems as good a time as any.
#306
Posted: 2/2/12 at 2:18pm
"I guess the fact that Arima is using red paint is OK now?"
What are you talking about?
What are you talking about?
#307
Posted: 2/2/12 at 2:22pm
a few posts earlier, saying that the red stuff in the bucket looked too much like paint, and not enough like blood. Now that we see that Stephen King himself described it as red paint in the book, I'm saying that should make Arima's choice OK to use red paint in the bucket in this off broadway incarnation. Sorry for not being more specific.
Updated On: 2/2/12 at 02:22 PM
#308
Posted: 2/2/12 at 2:36pm
Leefowler but she IS a real person, shes not a panto villan, she is a woman who LOVES her daughter but is caught in her faith. I think Mazzie (from what i have heard) balances it very well
Namo i love u but we get it already....you don't like Madonna
#309
Posted: 2/2/12 at 2:39pm
"I think most people who watch this production of Carrie will wonder what the fuss has been about all these years."
If anyone goes into the production of CARRIE thinking that it is going to be a replica of the campy diastrous original production, then they deserve to be disappointed.
We all had just 21 chances to see the original broadway production of this show live - nothing will ever be the same as that experience.
If anyone goes into the production of CARRIE thinking that it is going to be a replica of the campy diastrous original production, then they deserve to be disappointed.
We all had just 21 chances to see the original broadway production of this show live - nothing will ever be the same as that experience.
Updated On: 2/2/12 at 02:39 PM
#310
Posted: 2/2/12 at 2:40pm
The clip I posted earlier in the thread from the film is this moment. There is a very long build-up to the bucket tipping over that is pretty much a silent movie with music. The sequence is just over five minutes long with absolutely no dialogue after their names are announced as king and queen of the prom. The shots are incredible, though. You can see what everyone is thinking and feeling.
When the bucket tips over, the music and sound effects stop. All you hear at that point is the bucket swaying and the sound of dripping blood. No gasps, no dialogue (even when some of them are clearly talking and yelling), nothing but the bucket and the blood.
Here's the clip again.
When the bucket tips over, the music and sound effects stop. All you hear at that point is the bucket swaying and the sound of dripping blood. No gasps, no dialogue (even when some of them are clearly talking and yelling), nothing but the bucket and the blood.
Here's the clip again.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
blocked: logan2, Diamonds3, Hamilton22
#311
Posted: 2/2/12 at 2:41pm
Actually, that's sort of not Stephen King himself. The book is told by multiple narrators, from the POV of several different characters as well as the transcripts of the court proceedings and newspaper and magazine articles about the night of the prom. (All written by King, of course, but it's not a the typical novel with a single, omniscient narrator who is the voice of the author.)
That particular description comes from what King writes as a Reader's Digest article by one of the girls called "We Survived the Prom."
That particular description comes from what King writes as a Reader's Digest article by one of the girls called "We Survived the Prom."
#312
Posted: 2/2/12 at 2:45pm
Not to beat a dead horse, but the difference is that in that description the first thing she says is "I knew right away it was blood" -- she doesn't say, there was something on her that looked exactly like red paint and so I assumed it must be blood.
#313
Posted: 2/2/12 at 2:51pm
Even though the blood is a little too red (blood turns dark really quickly when exposed to air, and by the time Carrie reached home it would very dark, almost brown), I do find the last image from the NY Times pretty chilling.
If this moment isn't grabbing you, I think it has to be because the setup failed.
And with the bucket of blood scene, the setup is everything. The whole story (at least on stage or screen) has been building up to this moment at the prom where the blood is dumped on Carrie.
The rest is aftermath.
If this moment isn't grabbing you, I think it has to be because the setup failed.
And with the bucket of blood scene, the setup is everything. The whole story (at least on stage or screen) has been building up to this moment at the prom where the blood is dumped on Carrie.
The rest is aftermath.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
blocked: logan2, Diamonds3, Hamilton22
Updated On: 2/2/12 at 02:51 PM
#314
Posted: 2/2/12 at 2:52pm
I love those pictures. As photographs they are wonderful
#315
Posted: 2/2/12 at 2:54pm
The last picture looks a little over the top and melodramatic as a static image. It looks like a bad silent movie pose.
#316
Posted: 2/2/12 at 2:56pm
^ Which is exactly why I love it.
It's actually perfect Stephen King.
It's actually perfect Stephen King.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
blocked: logan2, Diamonds3, Hamilton22
#317
Posted: 2/2/12 at 3:01pm
Again just from the audio i adore the whole prom scene, it spends a lot of time showing you that Carrie is having the perfect night, unlike the original 88 show in this i was really rooting for the blood not to happen and she runs a brush through her hair and becomes a cheerleader lol.
The build to the drop i thought worked, the music moves from romantic and hopeful as the night goes on to sinister and suspensful as the moment draws closer. I do think though that the blood should drop and then silence before the laughter begins. On the other hand though i thought Carrie replaying all the songs at the moment is very effective, just blurting out lines from the show.
The build to the drop i thought worked, the music moves from romantic and hopeful as the night goes on to sinister and suspensful as the moment draws closer. I do think though that the blood should drop and then silence before the laughter begins. On the other hand though i thought Carrie replaying all the songs at the moment is very effective, just blurting out lines from the show.
Namo i love u but we get it already....you don't like Madonna
#318
Posted: 2/2/12 at 3:03pm
That moment actually just lasts a split second. The stabbing is done almost identically as to how it is done in the movie, but in the moment after (this moment) when Margaret raises the knife, Carrie causes her heart to stop and Marin falls back into the chair.
It happens very quickly..
It happens very quickly..
#319
Posted: 2/2/12 at 3:45pm
The section in the novel in which Carrie makes Margaret's heart beat slower and slower and slower and slower until it comes to a full stop is among the most memorable pieces of writing I've read in my life.
#320
Posted: 2/2/12 at 3:52pm
I agree PalJoey with Margaret almost disappearing into a vortex towards hell. Its amazing.
#321
Posted: 2/2/12 at 3:58pm
Just clarifying for EVERYONE.
First preview was just that. A preview.
It is CONFIRMED by tech/actors/box office that blood WILL fall from the ceiling.
They said it should happen in the show tonight.
First preview was just that. A preview.
It is CONFIRMED by tech/actors/box office that blood WILL fall from the ceiling.
They said it should happen in the show tonight.
#322
Posted: 2/2/12 at 4:05pm
^ that seems to go against what Arima said (quite definitively) in the article...
it will be interesting to see if it really happens.
it will be interesting to see if it really happens.
#323
Posted: 2/2/12 at 4:05pm
Same here, I'd love to hear if it actually pours tonight.
Anyone going to be there?
Anyone going to be there?
#324
Posted: 2/2/12 at 4:07pm
Yes, I'll be there tonight and I will let you all know.
#325
Posted: 2/2/12 at 4:08pm
I dont think the blood falling from the roof tonight is true at all
Namo i love u but we get it already....you don't like Madonna
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