Bebe, The four songs that were recorded on the Varese label were all available in a Marvin Hamlisch song book. That version of the book is now out of print, but the version that replaced it still has Disneyland and I think one other one. Check Colony.
"I remember when I worked in the musical dept of Sam French, we would get calls all the time of people trying to buy the recording...I actually thought I remembered them saying that Howard Ashman did more than the two boys on the recording, I could be wrong...Anyway, Samuel French also had a great demo of Howard Ashman & Alan Menken's GOD BLESS YOU, MR. ROSEWATER where the two of them did all the characters...Howard Ashman was so brillant on it! Priceless! "
I *love* ashman on those demos. Mr Rosewater is a show that really deserves a recording
Gosh, I thought I was the only one who loved this show so much. It got back to me after hearing some about it (I was a big fan of the film) after I heard "In Our Hands" on UNSUNG or whichever collection. All these revisions and extra songs sound so interesting. I read the Sam French libretto once and now I really want to get it produced somewhere....
Carrie was inspired! But should run off-broadway. Smile with the success of Disney shows now could be mounted and billed "From the Lyricist of The Little Mermaid and Beauty and the Beast" come on investors, take a chance! I know you're out there, I saw The Times They Are A-Changin
http://theaterfag.blogspot.com/
Reviews and the like
I love "my own little corner", have got some wonderful stuff from that site. Sadly it has not been updated in awhile.
The opening number from Smile is a joy to behold, would love to have seen the staging for it.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
Having just recently done a concert reading of the licensed version, I think it's pretty damn great the way it is. I've also seen the Lincoln Center archive of the Broadway production and enjoyed it a lot, but I think the licensed version is a better work.
Also, having done a lot of research on it, it's interesting to see that the licensed version is actually quite close to what Ashman had originally written. He was under a lot of pressure from Producers to change things. Apparently they were all enamored with Jodi Benson and wanted her to be the star when Ashman had really intended to have a lot more material with the adults. As a result, the Broadway version reduces Brenda and Big Bob's characters by quite a bit.
The major bits of "new" material in the licensed version were Robin's new letters and the revised Orientation Scene (Very Best Week of Your Lives).
After sitting with both versions, the only thing I really really missed from the Broadway version were some short little scenes between Valerie and Shawn in which Valerie has figured out what Shawn did and we see a little existential crisis going on. Teeny teeny little scenes, but nice. Robin's Broadway letters are such pretty songs, but I like the more nonchalant licensed ones.
In a perfect world, we'll see a cast recording with the Broadway orientation and Robin's Broadway letters as bonus tracks.
I keep expecting Encores to announce it one of these years. It's definitely ripe for at the VERY LEAST a major regional production. When we did it, the audience ate it up--LOOOOved it. I think it's ready.
I never got to see it, though I have read the Samuel French script and have a copy of the recording, which I got from someone who knew Tia Riebling's mother. (The story I heard was that it was the recording made was a souvenir for the cast members.)
Something of interest is an album of Carolyn Leigh songs called "Witchcraft" recorded by Sara Zahn. She sings a few of the songs written for the version of "Smile" that she and Marvin were working on before her death.
When Howard Ashman joined the project, they threw out all of that material except for the music to the title song.
"A coherent existance after so many years of muddle" - Desiree' Armfelt, A Little Night Music
"Life keeps happening everyday, Say Yes" - 70, Girls, 70
"Life is what you do while you're waiting to die" - Zorba
I LOVE the songs from this on the "Unsung Musicals" album. It was especially cool for me because I had seen Harry Groener and Jodi Benson in "Crazy for You" (my first Broadway show) not that long before I bought the album, if I remember correctly. It was so great hearing them "together" again -- well, "together" in a sort of a kind of a way.
I choreographed a tap number to Groener's "Smile" for my dance group in college one year. I'm not the best choreographer ever -- and I think some of the dancers who weren't as big Broadway fanatics as I was were wondering why we couldn't just tap to some pop song or other -- but I had a lot of fun doing it! Updated On: 2/23/08 at 07:43 AM
As I've said before, I tried to do a complete Smile - Mr. Hamlisch wasn't interested, and it was all I could do to get the songs that we DID do.
The year Unsung Musicals came out, we did a benefit concert in NY for BC/EFA at the Danny Kaye Playhouse at Hunter College - completely sold out. Harry did Smile as the opening number with a bunch of the Will Rogers Follies girls - amazing. We'd actually begun prepping Unsung II and we debuted some of those songs that night, too - Jodi wasn't available, so Michelle Nicastro did Disneyland and took the roof off the theater. It was a pretty great evening.
Marvin Hamlisch was in Chicago for a cabaret performance at Davenport's in Sept. 2007. I approached him before the show and mentioned that I loved the few songs from Smile that I heard on the Lost In Boston collection. I then told him that a complete recording of Smile should be released. He grinned. That was it. Not a yes or a no just a very polite grin. I don't think it's going to happen.
"The year Unsung Musicals came out, we did a benefit concert in NY for BC/EFA at the Danny Kaye Playhouse at Hunter College - completely sold out. Harry did Smile as the opening number with a bunch of the Will Rogers Follies girls - amazing."
I just wanted to bump this thread to add my appreciation for SMILE. The score is so wonderful and I really think Encores! should revive this show - it's a perfect candidate for Encores!
The opening number "Typical High School Senior," is fantastic, and of course, "Disneyland" is a stunning showstopper. Maybe Sierra Boggess can play Doria before she gets too old. Maybe Jodi Benson can play one of the older characters? (she is certainly due to come back to the stage)
Just outta curiosity, it IS the synth recording for Sam French? If so, I have it, but it is still such a wonderful score. Is it true it only ran for something like a month and a half?