I don't want anyone to win or lose. I want people to be respectful of other people's opinions. (I agree with you completely about Mamma Mia.)
I am not interested in SMTOTD's financial success. I have no financial investment in the show. My comment was only about how ticket sales reflect a show having found it's audience, which usually means word-of-mouth.
I'm not sure what obvious flaws I cited except a very minor - and I thought absurd - comment that there wasn't a unique set for a specific moment in the first act. Absurd because by this point in the show, we had already seen more scenery than most musicals have throughout. My criticism was to point out that SMTOTD sets a new standard in visual design.
* * *
My intermission was completely different than those others reported here. In fact, I was standing in line for the men's room and a man a few people behind me was on his mobile being even more emphatically positive about the show than I have been here. This sparked several conversations with the men on line and even into the urinals. Now, men, you know how rarely we actually talk with each other while taking a piss. Last night, in the men's room at The Foxwood Theater, men were going on about how excited they were about this show.
As for the applause... I too experienced a sort of loll regarding the final curtain call. Here's my take on that. Standing ovations are given to the performers. Although everyone in SMTOTD is good - even excellent - it isn't the cast that blows us away.
- I'm going to get killed for this one -
I suspect that if Ms. Taymor had walked onto that stage, people would have gone wild. It is the story telling that is what makes SMTOTD so brilliant. Please don't get me wrong here: not the book, or the music or even the "spectacle", but the themes being told in this "new" form of theater magic.
Okay, have your field day. Start the name calling...
Updated On: 2/5/11 at 05:58 PM