I really like the show and I think that it's right behind "Evita" as his best show.
I think that in it, for the first time in his career, Lloyd-Webber actually wrote theatre music. I remember when I first heard the songs that were on Barbra Streisand's "Back To Broadway", I wasn't too impressed with "As If We Never Said Goodbye." I felt that with only a few lyric changes, it could be sung by any character in a relatively similar situation (a stock-broker returning to the exchange after a jail sentence or a coronary by-pass).
But, "With One Look" knocked my socks off. Here was a song written for that character and no one else. Actual musical theatre writing.
Now, having said that, there is some stuff in there that I absolutely HATE!
I love the song "Surrender". It's touching and creepy and I hate the fact that the melody of it is used in "Eternal Youth Is Worth a Little Suffering". I'm sure that it's use is meant as some sort of subtext (if she wants to be a star again, than she has to "surrender"), but it just invalidates a previous good moment in the show.
I absolutely loathe "The Lady's Paying". The scene in the men's store, when the salesclerk whispers to Joe Gillis, "As long as the lady's paying, take the vicuna." is one of the iconic moments in the film.
I know that, when you're adapting a movie into a musical, it is almost irresistable to not turn moments like that into songs. (Which makes me offer a prayer of thanks to Jerry Herman for not writing a song called "Life Is a Banquet" for "Mame.") But did it have to be turned into a gallumphing production number? With the worst of some of Don Black's almost rhyming lyrics? ("Everything is absolutely kosher/would you like to model for my brochure.") Ugh.
"A coherent existance after so many years of muddle" - Desiree' Armfelt, A Little Night Music
"Life keeps happening everyday, Say Yes" - 70, Girls, 70
"Life is what you do while you're waiting to die" - Zorba