I've only seen Lea Salonga in the recordings of the 10th Anniversary Concert and in Hey Mr. Producer. I've seen Sutton Foster in Tucson, San Diego, and Los Angeles tours. I've never seen Frances Rufelle.
In analysis, both Lea and Sutton portrayed the characters differently. Lea was directed by Richard Jay Alexander and Richard's approach to the charatcer was a tomboyish, betrayed, and angry Eponine. Sutton's was different, but close to Richard's style. Although Lea's was closest to the book, both worked for me. There were different nuances on the delivery of the song. Sutton's "On My Own" was amazing. There were times when I prefered Sutton's, but Lea's version I find to be more emotional and sweeter (per HMP). Staging wise, Sutton's a little too tall for Eponine unless they cast a 6'+ Marius. If Cam Mac were to restage the play with both of their names on the selection table, I would prefer to see Lea since I missed her Broadway performance. So, it's Lea Salonga for me.
"I love acting. It is so much more real than life." Oscar Wilde "After silence, that which comes nearest to expressing the inexpressible is music." Aldous Huxley
I really did not care for Megan Lawrence. If they're going to cast people who were previously in it, I'd again say Lea (impossible due to pregnancy); but I truly think they should give some of the hot newcomers a chance to bat at that role.
"All I want is the truth, just give me some truth!"- J. Lennon
Frances Ruffelle, but I like all the Eponines I've heard/seen. I think I'm gonna have to find another sample of Salonga's On My Own though, because while I liked her singing in the 10th anniversary concert, her over-enunciation in it bothers me.
but i wish we could add Celia Keenan-Bolger into the running She'd beat Salonga for me.
My 2007/2008 Season:
Grey Gardens (7/5)
110 in the Shade (7/6)
Mary Poppins (7/7)
Xanadu (7/7)
Deuce (7/8)
Spamalot (7/8)
Jersey Boys (8/25)
The Year of Magical Thinking (8/25)
Mauritius (11/2)
Young Frankenstein (11/3)
Rock 'N' Roll (11/3)
Pygmalion (11/4)
Mauritius (11/10)
Mauritius (11/21) Mauritius (11/21)
Sunday in the Park with George (3/6)
South Pacific (3/7)
Gypsy (3/8)
Cat on a Hot Tin Roof (3/9)
2020 has really made people dig up some very old threads here.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Eponine is a great role for a person who has an excellent voice and can make you feel pain for her plight. I have seen many good Eponines, but none has come close to Ruffelle in making me want to take her in my arms and protect her. The sadness in her voice is almost 'Paifian'. She went for your gut.
Salonga has a gorgeous voice and can certainly make you want to protect her too, but I just didn't feel the same degree of grief for her as I felt for Ruffelle.
Not a big role when you get right down to it, but a big, great performance. I have always been disappointed that she did not do more on this side of the pond.
The only version of "On My Own" I like is Kaho Shimada's version:
https://www.youtube.com/watch?v=ZF6HaXfsYlM
I find Lea Salogna's version too breezy and fast. It's also a bit theatrical in that it loses the character. Francis Ruffelle, I get why she was so lauded. She went away from that sort of singing to bring out Eponine's vulnerabilities, but I don't really like the sound of her voice or the whiney undertone to it.
I really loved Celia Keenan-Bolger's performance in the 2006 revival. Her performance has a world-weary maturity that was a refreshing change of pace from previous (or subsequent) interpretations. Of all the Eponines I've seen, her has stuck with me the most:
I did not see Sutton Foster in the role...I did not even know that she had played Eponine. Re the other choices, and every other Eponine I have seen, there is no contest. For me, Frances Ruffelle's performance was in a league of its own. Every other Eponone I have seen, and I have seen about 10 - 12, has paled in comparison to Ruffelle, She was so effective as Eponine that to me she stole the show, and there are a lot of great roles and performances over the course of many years. Definition of stole: whenever she was on-stage, you looked at no one else, when she was not on stage, you were thinking about her.
Her voice was perfect for the role. Eponine was a tragic character, and Ruffelle's acting and wailful voice reflected that tragedy. It was an iconic supporting performance for me.