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THE NUTTY PROFESSOR, Pre-Broadway Tryout in Nashville -- Discussion

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#1

THE NUTTY PROFESSOR, Pre-Broadway Tryout in Nashville -- Discussion

Nashville and the Tennessee Performing Arts Center (TPAC) host the world premiere of “The Nutty Professor” Musical this month. Directed by Jerry Lewis, the show is a new musical comedy based on the 1963 film of the same name.

The Broadway at TPAC Special Event runs from tonight, July 24 to August 19 in TPAC’s James K. Polk Theater. Featuring music by Oscar, Emmy, Tony and Pulitzer Prize winner Marvin Hamlisch (A Chorus Line) and a book and lyrics by three-time Tony Award winner Rupert Holmes (The Mystery of Edwin Drood), “The Nutty Professor” is a musical treat for the whole family, based on the classic 1963 film in which Lewis starred and co-wrote.

Actor, singer, and entertainer Michael Andrew stars in this new production as Professor Julius Kelp. Andrew, who counts Lewis and the film as principal influences on his career, worked with Executive Producer Ned McLeod and Lewis to bring the production to the stage. Mac Pirkle, co-founder and former Artistic Director for Tennessee Repertory Theater, is also producing.

The Broadway-bound THE NUTTY PROFESSOR musical also features the talents of Broadway favorites Mark Jacoby and Marissa McGowan, as Dean Warfield and Stella, respectively.

Additional cast members include: KLea Blackhurst (MISS LEMON), Alex David (KELP DOUBLE), and Jamie Ross (HARRINGTON WINSLOW), as well as Meghan Glogower, Blair Goldberg, Autumn Guzzardi, Sarah Marie Jenkins Allison Little, Charles MacEachern, Lindsay Moore, Ronnie Nelson, Patrick O'Neill, Dominique Plaisant, Carly Blake Sebouhian, Jason Sparks, Christopher Spaulding, Kristopher Thompson-Bolden, Kyle Vaughn, and Ryan Worsing in the ensemble.

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If anyone is going, please report back!
#9

THE NUTTY PROFESSOR, Pre-Broadway Tryout in Nashville -- Discussion

I really think it's the location. I mean, I'm glad pre-Broadway shows are trying out other places besides Chicago and Seattle now, but I feel that it kind of discredits it to others in "the biz"...

Either way, I'm still very anxious to hear about the show. I'm such a huge Jerry fanatic, I REALLY want this to be good/succeed.
#14

THE NUTTY PROFESSOR, Pre-Broadway Tryout in Nashville -- Discussion

"(even with a non-typical market for a tryout, just the people involved would -- you think -- invite more coverage and discussion)"

Or maybe they chose such a non-typical market to avoid the coverage and discussion. There is a reason shows used to go out of town for try-outs in the pre-internet age, to be able to avoid the scrutiny of the New York scene while they work the kinks out.
#16

THE NUTTY PROFESSOR, Pre-Broadway Tryout in Nashville -- Discussion

Just got home... Not too exciting for me to say "it was just... ok" but that's about it. Haven't seen the original movie since I was a kid, but it seemed to follow pretty closely from what I remember.

It was sorta funny, sorta moving, sorta memorable (well, actually I can't remember a single song just an hour after curtain call.) The cast was energetic and did as well as possible with what they had to work with. Melissa McGowan as Stella seemed like she was in a different, more traditional/less slapsticky show at times.

Michael Andrew often seemed to be doing more impression than full-fledged performance at times, though he was generally likable despite being more Carol Burnett show than legitimate Broadway star throughout most of the show.

Jerry Lewis came out and spoke at the end and said "we're going to Broadway." I think that still may be optimistic in the absence of a real release or announcement. As is, to quote my partner-- "Broadway will eat the show alive."

It's basically a serviceable musicalization of a well-known property, complete with a fairly accurate if by-the-numbers impression. A smidge more "Cry-Baby" than "Hairspray" (to compare to two other 50s and 60s set film adaptations.

Staging was simple -- mostly backdrops with a handful of physical sets, the largest being the oft-used nightclub stage. (The band/orchestra is at the back of the stage for the last 1/4 or so; reminded me of CMIYC.) A small "lab" apparatus drops in several times; seemed like a small, lower-budgeted piece of the "Young Frankenstein" set. Oh, and NO show curtain. THE NUTTY PROFESSOR, Pre-Broadway Tryout in Nashville -- Discussion

Could have used the elimination or shortening of a couple of the dance breaks. The show seemed about 10-15 mins too long.
#18

THE NUTTY PROFESSOR, Pre-Broadway Tryout in Nashville -- Discussion

I know you said you don't remember the score afterwards, but while you were in the score how was it??
(I know that Hamlisch's SWEET SMELL score, I didn't "remember" songs afterwards, but still thought that the score was very good.)
#20

THE NUTTY PROFESSOR, Pre-Broadway Tryout in Nashville -- Discussion

RIP Marvin Hamlisch. THE NUTTY PROFESSOR, Pre-Broadway Tryout in Nashville -- Discussion

How do things work in a situation like this? If there are changes being made either on the fly or between Nashville and wherever-it-goes-next, will they bring someone else in (maybe after waiting a while) to make some updates/improvements? Or will they freeze it and hope for the best?

Any other examples of this happening before something is "locked?" (aside from "Rent")
#21

THE NUTTY PROFESSOR, Pre-Broadway Tryout in Nashville -- Discussion

Yes, VICTOR/VICTORIA lost its composer, Henry Mancini, before the show came into NYC. Someone names Frank Wildhorn was brought in to provide additional music. CURTAINS had Rupert Holmes providing lyrics when Fred Ebb passed away.
"Long live God!" (GODSPELL)
#22

THE NUTTY PROFESSOR, Pre-Broadway Tryout in Nashville -- Discussion

Holmes could of course do additional work on the SCORE of Nutty Professor, too.

What's the deal with Holmes? I'd say Drood's strongest element is the musical score, but Holmes seems to have abandoned composing for book and lyric writing, which I feel are the lesser of his abundant talents.

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