at which part does clara and fabrizio wave backwards?
And also, for some bizarre reason during "Hysteria" I love the part where one of the ensemble members say "do you look for the meidici(sp?) palace?" Anyone know what her name is?
Felicity also delivers the "Medici palace" line (one of my favorite little moments in the show). Her performance as Signora, specifically in "Aiutami" is remarkably different from Patti. On the broadcast, Patti discusses how they originally had her speaking in dialect but changed that in order to have her smash through the fourth wall, become one with the audience, etc. Felicity delivered the showstopping line (and the rest of the number) in her droll Italian accent which the audience found hilarious. Updated On: 7/6/06 at 11:31 PM
The tender touching Mother-Daughter moments are what go straight to my heart...
And the *poke*
When Clara is being whisked away by her mother, but runs back up the steps to see Fabrizio again, and gives him an innocent, endearing, childlike yet loving *poke* on his chest. It's perfect.
And, as if that weren't perfect enough, that simple *poke* became a tender *handprint* during Kelli's last performance. She just let her hand linger on Fabrizio's chest for a moment longer... and it was exquisite.
"Two drifters off to see the world. There's such a lot of world to see. . ."
One of the real treats of seeing Piazza was to see how much O'Hara grew in the role of Clara. Her characterization, which always held me captive, deepened significantly throughout her run in the show. The title song was one of the great highlights of a performance, dramatically and vocally. Also how she really made moments like "Hysteria" and "Tirade" so emotionally honest (my heart always broke for her during the former, in the church scene and during the interlude).
I also had the privilege of being there for her final performance and am left with such thrilling memories of her portrayal as a result. The way she touched Aaron's heart instead of poking him, the emotional gravity of the character's journey and, most heartbreaking, her final "I can't leave you" at the end of the show.
It's extraordinary to think of the amount of work she put into the show, especially considering how she was initially Franca in workshops and out-of-town.
Also, the curtain call was extraordinary, especially the gasps from much of the audience on hearing it was her last time in the role and the instant standing ovation that ensued. Clark was also quite lovely in her praise for her co-star and Kelli was incredibly overwhelmed.
Though I think Katie had come a long way in the role since she started, I was completely devastated on my first trip back after Kelli's departure and further proved to me how adept her characterization of Clara really was.
While at the matinee of the forever dull, "Little Women" tour in DC, I kept thinking, "a week ago today, I was at the final performance of Piazza, and oh what a different experience that was!"
Hey Dottie!
Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany