#1
Posted: 8/18/07 at 11:12pm
I just moved here to try and make it in this crazy industry that we all love, so I guess it's fitting that the first show I saw was The Drowsy Chaperone.
I applaud the overall execution of the piece, and I think it suits the Marriot Marquis just fine. Another post mentioned that it would be better in a smaller house, I disagree - you need the magic of transforming an enormous space to give the piece that vintage grandeur. Mara Davi was sensational, and my only regret is that I don't get to hear her belt At The Ballet anymore.
(It would've been a fun-yet-anachronistic in-joke to add some A Chorus Line choreagraphy as one of her Show Off tricks.)
But my main quibble was the Man in the Chair. John Glover began as mildly endearing, had his moments of humor, but then he became a one-joke character with some scattered neurosis and rampant sarcasm, to the point that whenever the show gets interrupted by the phone or the power, I couldn't help but laugh at his frustration, instead of sympathize.
The Man In The Chair needs to be more than just a droll show queen - that's easy for any actor to do. The real challenge of the role is to take him past that, and show who he is past all the quips and anecdotes. When he goes into the monologue about his wife and the divorce, it's the real glimpse of who this man is, and why he hides in the world of the musical.
I applaud the overall execution of the piece, and I think it suits the Marriot Marquis just fine. Another post mentioned that it would be better in a smaller house, I disagree - you need the magic of transforming an enormous space to give the piece that vintage grandeur. Mara Davi was sensational, and my only regret is that I don't get to hear her belt At The Ballet anymore.
(It would've been a fun-yet-anachronistic in-joke to add some A Chorus Line choreagraphy as one of her Show Off tricks.)
But my main quibble was the Man in the Chair. John Glover began as mildly endearing, had his moments of humor, but then he became a one-joke character with some scattered neurosis and rampant sarcasm, to the point that whenever the show gets interrupted by the phone or the power, I couldn't help but laugh at his frustration, instead of sympathize.
The Man In The Chair needs to be more than just a droll show queen - that's easy for any actor to do. The real challenge of the role is to take him past that, and show who he is past all the quips and anecdotes. When he goes into the monologue about his wife and the divorce, it's the real glimpse of who this man is, and why he hides in the world of the musical.