Music and Lyrics by Stephen Sondheim and Book by Arthur Laurents March 10, 2022 at 7pm | CARNEGIE HALL
Featuring Vanessa Williams
Ted Sperling, Director & Conductor
Better than buried treasure! Come rediscover a madcap, provocative, and weirdly romantic gem from the legendary Stephen Sondheim and Arthur Laurents. Starring Vanessa Williams in the role of a corrupt mayoress (originally played by Angela Lansbury), who fakes a miracle to revitalize her bankrupt town, the zany plot includes an ill-fated romance between a rational nurse, out to expose the fraud, and a chaos-loving doctor, who makes us question the very notion of sanity.
Rarely performed, this timely “satire on conformity” is also an exuberant musical comedy, filled with one showstopper after another and highlighting what Ben Brantley called Sondheim’s “gift for defining, in song, characters who are a hair’s breadth from nervous breakdowns.” Hit songs from the show include “Me and My Town,” “There Won’t Be Trumpets,” “Anyone Can Whistle,” “Everybody Says Don’t” and “With So Little to be Sure Of”… which is one of Sondheim’s own favorites.
I noticed this interesting tidbit hiding in the BWW article:
"We ... prepared for a professional recording of our acclaimed 2019 City Center performance of Kurt Weill and Ira Gershwin's Lady in the Dark starring Victoria Clark..."
Vanessa Williams, Norm Lewis or Brian Stokes and Adrianne Warren would be a dream cast if it could ever happen.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
bwayobsessed said: "Anyone have recommendations off the cheap seats? I’m curious if the far sides closer to the stage are better"
I've never sat on the sides but for what it's worth, I've been happy with lower balcony tickets for most concerts. I would rather decide between balcony and dress circle than the sides.
Could anybody explain what this looks like? I assume that they aren't staging a full production, but are they just singing the songs or will they also read the book? Will there be a full cast?
jkcohen626 said: "Could anybody explain what this looks like? I assume that they aren't staging a full production, but are they just singing the songs or will they also read the book? Will there be a full cast?"
I assume this will use the existing "concert version" script (similar to the Madeline Kahn/Bernadette album).
MasterVoices' OF THEE I SING included an abridged version of the book with some narration by Mo Rocca, light staging in front of the orchestra, some costume pieces (but mostly black tie), a bit of choreography, and a full chorus. Not the production value of an Encores production, but more than "park and bark."
^We don’t know. And unfortunately it’s always a crapshoot. “Concert production” could mean any of those things, or anywhere in between (for example, they could do an abridged version of the book). Same goes for the staging, costumes, etc. which could be at any level across a wide spectrum.
And we may not know until they actually start the show on the night of.
VintageSnarker said: "bwayobsessed said: "Anyone have recommendations off the cheap seats? I’m curious if the far sides closer to the stage are better"
I've never sat on the sides but for what it's worth, I've been happy with lower balcony tickets for most concerts. I would rather decide between balcony and dress circle than the sides."
Have you happened to have sat in what they label as obstructed? I’d imagine there or poles or something?
bwayobsessed said: "Have you happened to have sat in what they label as obstructed? I’d imagine there or poles or something?"
I'm giving away my secrets but yes, I have. Not sure about this but for a basic concert (like an opera singer and a piano) it's totally fine. There are barriers that section off the lower level of each tier so you don't fall down into the orchestra. There is gold railing in a few sections on top of that. Generally, when you're in an obstructed seat it's because the gold railing is in view. I think it varies based on which seat you choose but from some of them, the railing doesn't block anything. The dress circle is different because there are columns that can obstruct your view or mean less legroom. You can see the railing and the columns if you google photos.