Love Laurie and Joe Mantello, but the body of the last revival is still warm. Plus, that revival was absolutely wonderful- it’s not like we need a palate cleanser to remind us what a good show this is.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
There are a handful of Albee plays that have yet to get first class broadway revivals including a Pulitzer winner and one that won Best Play the year it was produced, why are we doing this AGAIN not even 10 years after what by all accounts was an excellent production, while rare I feel like doing a revival of something less then 10 years after the prior production is kind of an insult to the prior artists.
is this great casting, probably (I dont know about Izzard as George but ok) is this really necessary, hell no.
^ Seriously in the time since that was originally produced we will have gotten THREE Broadway revivals of Woolf and not one revival of The Goat which I know is a hard sell but it won Best Play, or hell get a crack team together to figure out The Lady From Dubuque or The Play About The Baby (which has never played Broadway even after being a pulitzer finalist)
Well, I’ll be a new audience for this since so I’m excited, especially with this casting and team behind it. I assume this is what someone referred to the other day with a Laurie Metcalf revival playing the Golden next spring. They should just rename it The Metcalf
Mike Barrett said: "Well, I’ll be a new audience for this since so I’m excited, especially with this casting and team behind it. I assume this is what someone referred to the other day with a Laurie Metcalf revival playing the Golden next spring. They should just rename it The Metcalf "
RIGHT?!?!
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So when this inevitably runs at the Golden, do you think they'll change the name of the theatre to the Metcalf? Put me in the camp of people who think this will be amazing but who also think that, between the GLORIOUS Morton/Letts revival 6 years ago and the solid (if overhyped) London production with Imelda Staunton 2 years ago, I'm a bit Woolf'd out.
1. This will be Metcalfs 5th consecutive season starring on Broadway. Is this a record of some sorts? (I realize there are plenty of actors who have stayed in the same show for more than 5 seasons, but I mean for different shows).
2. Someone pointed this out in the duplicate thread, but why is 3/4 of the cast British? Just kind of a strange move for a classic American play, being produced in America.
3. Eddie Izzard is a BIZARRE choice for this role, but I'm ready for something new and different!
4. Patsy Ferran is a wonderful actor - for those of you who don't know her, you're in for a treat.
5. I know lots of people love Russel Tovey, but I think he's a little overrated, and his American accent leaves something to be desired. Still, type-wise he's absolutely perfect for this role.
I would be more inclined to bemoan another Woolf revival if it wasn’t A) one of the greatest plays ever written and B) Laurie freaking Metcalf. Who cares how long it was since the last (perfect) revival. Laurie. Metcalf. As Martha. We are not worthy.
Interesting to have an American-originating production with three foreign actors.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
My first thought was “is Metcalf playing George and Izzard playing Martha??”
I’m all for Metcalf’s yearly residency on Bway, and I’m sure she’ll be a spectacular Martha. But that last revival was unforgettable (mainly because of Letts and Mackinnon’s direction). But Laurie doesn’t really sell tickets, Izzard really doesn’t mean much over here, and the 2013 production had crazily low grosses.
My first thought too. I know the play is set in New England, but that's a far cry from the UK. Richard Burton seems to cast a long shadow over this dialogue...
Albee is a modern day Shakespeare- and Martha is a classic role- like Macbeth, King Lear, Hamlet- that every actor longs to play. Can't wait to see what Metcalf does with this role- this is a classic play- and if it runs a year or so- it will make money, I would guess- since the production itself does not seem too costly. I say bring it on. I thought Iceman Cometh dwih Denzel was going to be uninspired- and it was one of the most powerful nights I have spent in the theater. Can/t wait for this VW- last time I saw it, Kathleen Turner was Martha- can't wait to see it again.But, I have to add- The Goat or Who Is Sylvia is my favorite Albee- saw it in West End two years ago with a great cast- and it was powerful and filled with meaning as always.
ErmengardeStopSniveling said: "My first thought was “is Metcalf playing George and Izzard playing Martha??”
I’m all for Metcalf’s yearly residency on Bway, and I’m sure she’ll be a spectacular Martha. But that last revival was unforgettable (mainly because of Letts and Mackinnon’s direction). But Laurie doesn’t really sell tickets, Izzard really doesn’t mean much over here, and the 2013 production had crazily low grosses."
Keep in mind that this production is being produced by Scott Rudin, who is known for having his ways of advertising.
Jeffrey Karasarides said: "Keep in mind that this production is being produced by Scott Rudin, who is known for having his ways of advertising."
Right — but those ways of advertising didn’t recoup Doll’s House 2, Waverly Gallery, Carousel, 1984, A View From The Bridge, Glass Menagerie, Blackbird, and others (despite rave reviews for many of those productions).
ErmengardeStopSniveling said: "Jeffrey Karasarides said: "Keep in mind that this production is being produced by Scott Rudin, who is known for having his ways of advertising."
Right — but those ways of advertising didn’t recoup Doll’s House 2, Waverly Gallery, Carousel, 1984, A View From The Bridge, Glass Menagerie, Blackbird, and others (despite rave reviews for many of those productions)."
Wasn't A View From the Bridge co-produced by Lincoln Center Theater?
Even if it’s too soon since the last revival, I’d still walk over hot coals to see Metcalf as Martha. And Joe Mantello is probably my favorite director working today.
Just remembering you've had an "and"
When you're back to "or"
Makes the "or" mean more than it did before