^ The only articles I have seen have said West Side Story was coming sometime in 2008, no month has been specified. If it comes before May 2008, that's still this season. Updated On: 8/19/07 at 11:26 PM
I think it's highly doubtful Laurents will get everything together before may of 08. It just seems unlikely. Especially considering he has a new concept. He needs a design team, PERFORMERS, an out of town try out, etc etc.
We serve their food,
We carve their meat,
We tend to their house,
We polish their
Silverware.
Whatever, with these reviews I doubt GREASE will get a nom, added to the point that we don't want Broadway shows cast as TV "reality" shows. It is an insult to casting agents and other Broadway Creative Professionals. (Not to mention seasoned actors and actresses)
So with $15 million in pre-sales what, if any, impact will all the NEGATIVE reviews have? None. If anything can kill this show is word-of-mouth but if a show is critic-proof it's this.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Well, a 15 million advance means they have sold a lot of tickets, but after the reviews they have to keep selling tickets cause remember TARZAN had a huge advance also. That money goes to the running of the show. And Max and Laura's new apartments, paid for by the production,
She's going to support her daughter - as she should.
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
Well, I just want to register my congratulations for Kirsten Wyatt. No one deserves the good reviews more than she does, and she delivers are note for note perfect performance as Frenchy.
With this revival of "Grease," reality television finally rears its ugly head on Broadway, and the results are not pretty.
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Tackily produced and utterly lacking the sort of fun comic spark that the original production and certainly the movie possessed (though not the most recent Broadway revival in 1994), this is a "Grease" that only will be appreciated by young TV viewers who don't know any better.
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Unfortunately, Marshall, who so brilliantly invigorated the recent revival of "The Pajama Game," doesn't work similar magic here. Her staging and choreography display little in the way of imagination, with even the normally kinetic numbers "Greased Lightnin' " and "Born to Hand-Jive" failing to excite.
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As for the famous contest winners, well, Crumm is singularly lacking in magnetism. It's unfair to expect any unknown to match John Travolta's smoldering charisma in the role, but even on his own terms Crumm fails to impress with his acting, singing or dancing. Osnes is much better, displaying a fine singing voice and sweet charm that serves the role well, even if she doesn't quite convince when it comes to Sandy's brief transformation into trampiness. As for the supporting cast, no one stands out, with the exception of the refreshingly plus-size Daniel Everidge, who delivers a killer vocal on the song "Mooning."
NJ.COM review is about the same. Though here Lindsay Mendez (who I thought was great) gets her first positive notice. Again, no mention of Jenny Powers. NJ.COM Review - Grease
I think some important reviewers mentioned her, even if Brantley didn't. Not sure if they'll garner her a nomination or not but they may do something nice for her career and her future in getting cast in future projects. Good for her, she made a hell of a Young Phyllis.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
the reviews are terrible. i knew they would be. i agree with them. i cant wait till i read the review in my local paper. i will try and post the link and if not i will try and post the review.
"Now, about those television-annointed leads. As Danny, Max Crumm gives a cautious performance, vocally OK but short on swagger and sex appeal. Laura Osnes nicely gets Sandy's transformation, morphing with enthusiasm from good girl to bad babe. Check out her skintight outfit in the last scene, courtesy of designer Martin Pakledinaz. Osnes also sings well and throws herself into Marshall's spirited choreography.
So does the rest of the cast, who appear to be running on an inexhaustible supply of energy. That energy gets used to the fullest in Marshall's choreography, particularly in her witty reworking of the big dance-contest number, "Born to Hand-Jive," featuring the nimble Natalie Hill as the fabulous Cha-Cha DiGregorio. Marshall keeps the energy spinning from couple to couple, building an enthusiasm that demonstrates why she is one of the best choreographers on Broadway." http://www.forbes.com/feeds/ap/2007/08/20/ap4034028.html
Negative from the Daily News: "Americans may know how to choose pop singers, stand-up comics and ballroom dancers, but they have much to learn about picking Broadway stars.
Scathing from Clive Barnes and the Post: "WHEN I told someone I was going to "Grease," he thought I meant the country.
I should have been so lucky.
Then again, Greece was the cradle of democracy - and democracy played a role in the new but sad revival of "Grease," the musical, which last night wandered into Broadway's headlights.
"The night begins with clapping and squeals—actual squeals—as the curtain goes up. There’s another eruption as the curtain comes down. For two hours or so in between, there’s Grease, though hardly anybody seems to mind. I can’t remember a Broadway production where the actual show had less to do with the experience that people came to the theater to have. Partly this is because Grease barely qualifies as a Broadway musical in the first place. Combining a dud book with songs that somehow manage to be even duller, it’s really three or four good tunes amid immense stretches of dead air—and, for this production, a curtain call that makes the rest of it seem trivial.
A funny kind of switcheroo happened on the road to Broadway. By using a TV program to cast the show’s leads, the producers have made the show feel like an adjunct of the TV program, like a season-finale-plus-one. Where the casting process itself was concerned, devotion to duty saw me through only the first episode, so I don’t have much sense of the field. But what has reached the stage of the Brooks Atkinson reminds me a lot of that moment in presidential politics when you watch the party nominee take the stage at the convention and think: Him?" New York Magazine - Grease
Begin at the beginning and go on till you come to the end: then stop.
Fairly dismissive from Robert Feldberg, Bergen Record.
"Anyone who thought -- or hoped -- Max Crumm and Laura Osnes would fall on their faces as the first Broadway leads chosen by popular vote will be disappointed.
And so will those who believed the pair, who opened in "Grease" Sunday at the Brooks Atkinson Theatre, would debut as shining stars." ...
"Grease" is not, of course, a show with a treasure chest of great moments. Broadway musicals don't get much simpler than this one, and its enduring popularity is hard to explain.
But as the John Travolta-Olivia Newton-John film suggested, it can be presented in a way that offers stylish, even witty, fun.
This new Broadway production, though -- spawned by a television program that acted as an endless commercial -- seems uninterested in being much more than the end product of a TV promotion." Bergen Record - Grease
Begin at the beginning and go on till you come to the end: then stop.
John Simon, Bloomberg News, is particularly rough on Kathleen Marshall. Good for Laura, bad for Max.
"Even so, this revival could be a lot more effective if Kathleen Marshall, its decent enough choreographer, were not also its mediocre director. She has made several poor directorial choices. Her adult actors are not especially adept at portraying teens. She has allowed the characters to be for the most part generic youths rather than the more differentiated individuals the authors, Jim Jacobs and the late Warren Casey, had in mind.
De-Raunchified
Next, she has given us characters less raunchy than those of the original production, and thus also less interesting. Even the movie version, some of whose songs are incorporated here, managed to be more sexually suggestive. And she errs even choreographically, in that her rigorously coordinated dance numbers convey little of the undisciplined bumptiousness of high-schoolers -- granted that this is not easy to translate into effective dance.
And what about those tried-and-TV-tested leads? Laura Osnes, young but already possessed of serious theatrical credits, is an enchanting Sandy. She is equally delectable as the straitlaced innocent she starts out as, and as the teenage sexpot she transforms herself into, with help also from Martin Pakledinaz's apt costuming.
But, alas, the televictorious Danny, Max Crumm (isn't the very name a warning?), is physically unfavored, falls somewhere between a dork and a goon, and is unable to evince the slightest chemistry with his delightful Sandy. How much more winning were the original Broadway Danny of Barry Bostwick and the Hollywood one of John Travolta!"
"Very positive from Jacques LeSourd and Malcom Johnson (can't trust them anymore)"
When could you ever trust LeSourd? He panned DRS, said Light in the Piazza was one of the most boring nights of his life, and raved about Brooklyn.
"If there was a Mount Rushmore for Broadway scores, "West Side Story" would be front and center. It snaps, it crackles it pops! It surges with a roar, its energy and sheer life undiminished by the years" - NYPost reviewer Elisabeth Vincentelli
Well it certainly rained on both of David Ian's prom nights.
Just finished reading the hard-copy of Brantley's review. That's one of the most scathing notices I've ever read. I find it quite interesting that of everyone he picked out to recognize that it was Kirsten Wyatt. I figured he would have written a love letter to Robyn Hurder.
And I guess I'm the not only one who wasn't blown away by Jenny Powers. Updated On: 8/20/07 at 09:15 AM
CABARET was rumored to open with Alan Cumming in January/February at the Henry Miller but no formal announcement has been made and I'm not sure it's even happening anymore.
I thought that Cabaret would be moving into Studio 54 after Sunday in the Park with George for a fall 2008 opening?