Mixed feelings about this.
I think this was realistically the best case scenario, and I am happy that the industry outcry has been successful in a way that won’t sacrifice the jobs of the people in his productions. But like many people in this thread, I have some lingering concerns:
I agree that the apology isn’t to be taken super seriously, but as other’s have said, it’s more important to examine his actions than his words.
If he does, in fact, keep cutting a paycheck from these productions, I can’t help but wonder if this issue is really resolved. Because going to see his productions will ultimately mean supporting him. But then I think, well, if the ultimate goal is harm reduction, and not punishment for the sake of punishment, then I guess it’s good that he will no longer be in the driver’s seat, and that he will have been taken down a peg. But won’t he still have assistants to abuse? It’s not like his company is being dissolved. And has is he taking steps to improve working conditions? Unlikely, but I hope so. I suppose the public scrutiny should keep him tame at least for a while. But we have to keep that scrutiny up. And yes, people should have the opportunity for redemption. But the longer you’ve been an abuser, the higher that bar for redemption is. And Rudin’s bar is very high.
In my first post on this topic, WAY back in the middle of last week (god, remember those days?) I said that boycotts ultimately come down to personal choice, and to what degree each individual is willing to rationalize unethical consummation of media for their own pleasure, and what ethical consumption even means. And I said in that post, I’m not excluded from that. It’s something I will definitely be thinking about carefully in the coming weeks/months.
As for his contributions: some may remember that I’ve actually defended Scott Rudin’s controversial business decisions in the past, because I considered him to be the most valuable producer we have in commercial theatre. I was something of a Scott Rudin devotee, from an audience standpoint anyway. It wasn’t until I became aware that his assh*lery crossed the line into abuse that I “switched sides” as it were. So yes, I can’t lie and say that I think the caliber of Broadway will be the same with him out of the picture (if he does indeed go out of the picture, which remains to be seen). But at the end of the day, the health and safety of Broadway’s employees is more important than Rudin’s cultural contributions. And I also have hope (especially with the upcoming slate of announced shows) that there will be other, more ethical producers who will carry the torch of keeping genuine artistic quality on Broadway.
EDIT: in the time it took me to type this - Hogan beat me to some of it!
Updated On: 4/17/21 at 03:03 PM