Joined: 12/31/69
I think Dreamgirls, Louise Pitre, and Patti LuPone for Sweeny were big robs given to Nine, Sutton Foster, and LaChanze.
You?
well... um, there IS a thread on this every two days.
but i'll just post what we're all thinkin:
Tonya Pinkins for Caroline or Change losing to that shrieking green person. i forgot her name.
Nancy Opel losing to Sutton Foster, Spencer Kayden losing to Harriet Harris, Tovah Feldshuh losing to Phylicia Rashad...
Not that the others *didn't* deserve Tonys so much, but I'm still very bitter on behalf of the 'Sweeney Todd' revival. It's not like LaChanze plays the tuba, and I bet Manoel Felciano wouldn't have attempted a dialogue with an unborn baby. Plus... 'The Pajama Game'? *weeps*
On a less fangirlish note, I would quite like it if the 'Spamalot' creative team would be so kind as to send their Best Musical award on to the 'Light In The Piazza' creative team. I'm even bitterer about that one. ^_^
2 for not even being nominated
Jerry Herman - Mack & Mabel
Frank Wildhorne - J/H, Scarlet
The fact that Idina Menzel won a Tony over Tonya Pinkins for "Caroline, or Change" is a downright travesty. I also think Elisabeth Withers-Mendes warranted the Featured Actress award last year over Beth Leavel (although I thought Beth was wonderful.)
Tonya, definitely. And if someone was going to win for Wicked, then it should have been Kristin.
Understudy Joined: 12/31/69
"Nancy Opel losing to Sutton Foster"
I liked her, but I was a bigger fan of Louise Pitre from Mamma Mia.
Oh, and Piazza for musical and, even though Piazza had great sets, Dirty Rotten Scoundrels for sets.
Sweeney Todd to The Pajama Game. Oy.
Nine completely deserved it over Dreamgirls, IMO.
Tonya Pinkins has to be the biggest upset I can recall.
And come on - Spamalot over Piazza?
But when you consider that so many voters are the people who book tours I guess we should expect commerce to trump art every time.
But still...Spamalot? Over Piazza?
Sweeney Todd to The Pajama Game
Ragtime to Lion King
I think Spamalot was the weakest of the nominated musicals that year, so that would be the biggest crime to me.
Definitely Ragtime should have won.
The last great American musical built from the ground up
"Nancy Opel losing to Sutton Foster"
"I liked her, but I was a bigger fan of Louise Pitre from Mamma Mia."
Allentown, you asked for OUR opinions. That was MY opinion. You already gave YOURS. Duly noted.
No nomination for Ann Harada in Avenue Q
IMO, Spamalot shouldn't have won the Tony for Best Musical. All three of the other musicals deserved it more than Spam.
Updated On: 3/11/07 at 04:39 PM
Broadway Legend Joined: 12/31/69
D2, I respect your opinion. That was just my opinion.
I agree with Tazber about Nine-completely deserving of its win. I also do think that Piazza deserved its set design. David Rockwell was in no way "robbed" of a Tony for DRS. Also, add me to the list of people who say that Light in the Piazza was robbed of Best Musical.
Patti to LaChanze
and, to a lesser extent:
Patti to Joanna
Also, Tonya to Idina (anyone to Idina for that matter), The Wild Party to Contact, Piazza to Spamalot, Follies to Two Gentlemen.
Broadway Legend Joined: 10/19/06
I'll get shot for this, but I still claim Idina Menzel deserved her Tony over Tonya Pinkins.
To me the upset was Hugh Jackman over John Tartaglia, at least, that year.
"Spelling Bee," and "Ragtime" both deserved the Tony in their repsective years.
I'm obsessed with Joanna Gleason's performance in Into the Woods. Completely Tony worthy to me. Why do you think it should have gone to Patti? Just curious.
Kelli O'Hara losing to Sara Ramirez
Tonya Pinkins losing to Idina Menzel
Any of the other 4 Best Actress nominees losing to Heather Headley in 2000
The Beauty Queen of Leenane losing to Side Man
And people who weren't even nominated:
Edie Falco-Frankie and Johnny...
Megan Mullally-How to Succeed in Business...
Carla Gugino-After the Fall
Mark Harelik-The Light in the Piazza
Ben Shenkman-Sight Unseen
Natasha Richardson-A Streetcar Named Desire
Broadway Legend Joined: 12/31/69
Spelling bee was amazing, but not as worthy as Piazza.
Ragtime was a major rob, IMO.
I thought Hugh was amazing, as I had the chance to see him live. John was awesome, but not robbed.
when Kerry Butler wasn't nominated for Hairspray, she was the standout of the show for me.
Okay, don't kill me, but both Christian Hoff and John Lloyd Young.
Jim Dale should have won for "Threepenny" and anyone else (Michael Cerveris especially) for Best Actor.
I mean... how hard is it to be a "Jersey Boy"?
Videos