It didn't run longer because it was simply too expensive to have a run on Broadway (even though many complained the Roundabout production looked cheap). The size of the cast and the elaborate costumes and sets it requires means the show will never be financially successful on Broadway (plus it's not exactly a big crowd pleaser due to the book's attitude towards marriage which is rather pessimistic). Once they ran out of subscribers and had to switch from the LORT A contract Roundabout works under for the initial part of any Broadway run (12 weeks) to the Standard Production Agreement, it couldn't sustain itself any longer (losing LOTS of money weekly) and had to close.
There were some excellent performances and I enjoyed it much of it. I was underwhelmed by the choreography of "Who's That Woman" and "The Right Girl," but the solo numbers from Bergen, Ivey, Joan Roberts, Jane White and a few others were terrific. I recall at the time, most of those who had seen the original Michael Bennett/Hal Prince production really detested this one (some found it drab-looking and badly staged), but without that point of reference I really enjoyed it.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Updated On: 10/12/05 at 07:42 PM