He has spoken about how he has wanted to write a score as good as that of Finian's. He can't, at least not as long as he insists on working with inferior lyricists. The score of FINIAN'S RAINBOW is wonderful, but part of the brilliance comes from Harburg's delightful wordplay.
Burton Lane's melodies are glorious, and ALW could certainly come up with (or judiciously borrow) melodies to match. As Martin Gottfried pointed out years ago, Lloyd Webber's determination to be the sole above-the-title creator has done him great damage. So many ideas loaded with potential have been squandered thanks largely to insultingly bad lyrics, and to a lesser degree weak or problematic librettos.
For a man who so much admires Rodgers and Hammerstein (or in this case Lane and Harburg) it remains baffling to me that his ego cannot allow him to share credit. I just envision how much better all of his shows would be if he could get over that "star" attitude.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Updated On: 1/11/10 at 01:53 PM