it just disturbs me to see that several posters have overlooked the lyrics of the british import musicals---- and named some sondheim lyrics as their least favorite lyrics
SuddenlySeymour and StageMom2 (for the umpteenth time) he is not saying "confessa". God! Are you people really stupid! Re-read the lyrics -- or better yet, read the entire thread (I know you didn't because it has been mentioned and corrected many times) and you will know that. If it were spoken dialog, instead of singing, it would go something like this: "Nessa. Uh, Nessa? I have something to confess -- a reason why I asked you here tonight." There. Now get it through your thick heads once and for all! Thank you.
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
"it just disturbs me to see that several posters have overlooked the lyrics of the british import musicals---- and named some sondheim lyrics as their least favorite lyrics "
Don't be disturbed, alwy15. Perhaps the reason is that when a show has nothing but bad lyrics, none of them stands out as worse than the rest.
Now, how about using upper-case letters in the appropriate places?
I definitely would have to say like, half of WICKED. Maybe not the worst lyrics ever, but I definitely roll my eyes when I hear half of it. I think it was meant to be clever, but it's just so groan-worthy.
The Wedding Singer, for all of its good points, definitely has some eye-rollers itself.
"I can't figure out what kind of life this is, comedy or tragedy, I just know it's showbiz. And what if I don't agree with the lines I have to read? They don't pay me enough, the way I see it."
StageManager2, that still does not make it a good lyric. Schwartz often splits words so they rhyme... see my example of 'trifiling' and 'life-a-ling...ering on."
In that case and Nessa/confess-a, I think it sounds silly, and therefore, I think they are bad lyrics. The point is not whether or not the lyric makes sense. The point is it sounds ridiculous. And it does. He IS saying "confess, a" but Schwartz wrote the song in such a way so that the two words blend together to rhyme with Nessa.
And several people think it sounds bad. It has nothing to do with whether or not what he's saying makes sense.
I have no idea if this has already been posted or not, and I know the show wasn't QUITE on broadway, but I do believe they are the worst lyrics I've ever heard. For those of you who are not familiar with the tradegy that is "Right Brain", I'll enlighten you. "Right Brain" was what "One Song Glory" was born from when Rent moved to broadway from the New York Theater Workshop. The music is still the same, but the lyrics are absolutely hilarious. I'm so happy that Rent turned out to be the hit that it is because the NYTW lyrics can be tragic. Anyways, for your viewing pleasure:
"The right brain, how do I find the right brain? I lost my map. The right brain, it's when I get locked in Find, the right brain, like driving north, Pacific Coast Highway from San Simian to Big Sur."
It doesn't help that Tony Hoylen sounds constipated.
"inside of me there lives someone who never felt a mother's love who could have heard the bells on Sunday pealing in the chuch of God who would have loved a rainy day and never had to fear the fire instead i hunger for the vein that holds the lifeforce i desire..."
and "see me...wolf killer"
the rest of it i pretty much adore...(don't judge me)
okay, so I am really bored so I was thinking about this in the shower and I've made a little "tour" of the Worst Lyrics of Wicked. Here we go.
NO ONE MOURNS THE WICKED (title itself really just sucks)
"And goodness knows we know what goodness is" doesn't even fit with the rythm. And WTF is with that line anyway?
"Like a froggy ferny cabbage..." Uhm, someone please explain to me what that is?
On the OCR, whenever Elphaba's mother is going into labro and she says "The baby's coming!" I could swear that the father says "How?" I just wanna shout, "How do you THINK?" Ugh.
THE WIZARD AND I
"When people see me they will scream for half of Oz's favorite team." Ughh...
SOMETHING BAD
This whole song...just...no.
Same with DANCING THROUGH LIFE. There are too many awful lyrics to count.
I'M NOT THAT GIRL
"I wasn't born for the rose and the pearl." Stretch for rhyme much?
ONE SHORT DAY
The whole Wizomania thing just makes my eyes roll. It's all so bad.
A SENTIMENTAL MAN
"Helping you with your ascent allows me to feel so...parental." No words.
I agree with all of them previously said about Defying Gravity.
Act II coming soon.
"I can't figure out what kind of life this is, comedy or tragedy, I just know it's showbiz. And what if I don't agree with the lines I have to read? They don't pay me enough, the way I see it."
iheartmygeek, in Wicked when she says "The baby's coming," the dad says "and how!" as an exclamation, so that actually makes sense. And while I agree with you on most of the Wicked lyrics, I actually kind of enjoy rhyming "ascent allows me to feel so parental". I know it's dumb but I kind of like it. And one you missed...
Somehow I've fallen under your spell, and somehow I'm feeling it's up that I fell......hmmmm
JRB is my favorite composer on Earth. The Last 5 Years is my favorite musical. HOWEVER:
"At some point down the line, Don’t we get to relax Without some new tsuris To push me yet further from you?"
How often is the word "tsuris" used? Really?
And:
"You don’t have to get a haircut, You don’t have to change your shoes, You don’t have to like Duran Duran, Just love me."
So crappy. SO.
"The stage is where I live and come alive and act out all the things that go on in my life. It's not just what I do for a living, it's my shrink and my love affair. No one in my life has ever or ever will kiss me on the mouth like this lover called my relationship with my performance."
Just wanted to say that I agree that good lyrics aren't just about what makes sense...It's what sounds good, and feels truthful to the character/time period.
"We don't value the lily less for not being made of flint and built to last. Life's bounty is in it's flow, later is too late. Where is the song when it's been sung, the dance when it's been danced? It's only we humans who want to own the future too."
- Tom Stoppard, Shipwreck
We are the strangers here. The refugees, The women and men. Without a home. Oh Notre dame, We come and ask of you, Asylum. Asylum.
We are the down-and-outs, Here at the city gates. And all of Paris waits, To see what we're about. The world will change someday. We'll make it work someway. The day we come to stay With you.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian