I know he extended his contract with aladdin to next year but I would really want to see adam Jacobs as Jean valjean.
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They need to bump up Aaron Walpole. That man was an absolutely stunning Valjean. By far the best in this production (and of others I've seen in the past).
the artist formerly known as dancingthrulife04
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"I heard a recording of Nehal Joshi's Valjean from the Dallas Theater Center production and I've since fallen in love with the idea of him doing it on Broadway."
I attended this, he was very good ... certainly nothing close to Ramin, in my opinion, but very good.
I don't think the issue was with him necessarily; I think he joined the production as it was falling in sales and he happened to be there for Le End Time.
"This thread reads like a series of White House memos." — Mister Matt
John Owen-Jones is a wonderful Valjean, and my personal favorite. When his honey timbre and gentle falsetto meet for bring him home he brings the house down! I personally think Valjean is his best role as a character actor, even better than the phantom. The role of JVJ is like a second nature to him, he broke records as the youngest Valjean in history and he has been performing it since 1997 I believe.
Re: being "booked with another project." At best the new musical we hope that John will star in is unfinished and behind schedule. The concept album for An American Victory was supposed to have been released summer of last year-- there has been no explanation about the delay, and I do not know of a new projected release date for the album. Multiple members of the cast have sadly also been changed, the great Ruthie Henshall and great Hugh Panaro are no longer attached to the project. As far as I'm aware John is still interested in the show, but it looks like we have a long way to go. John might very well want something more concrete in the meantime like Les Mis, An American Victory may never even be made. Though I hope this is not the case. I would like to see him create a role in what sounds like a very serious drama.
John has already expressed his interest in returning to Broadway, though it is a little unlikely it will be in Les Mis. I think there are some arguments for why he should be considered. His reputation is larger than it was in 2007 when he first came, he is a very beloved actor, and his 2010 tour was very well-received. If Earl Carpenter is going to perform the Javert this would be an opportunity to recreate the chemistry he and J.O.J had in their previous show, they were both great.
Lets go back to Hugh Panaro too. He and J.O.J I think have a similar vocal range, I consider John the finest tenor voice on the West End and Hugh the best we on Broadway have to offer. If not John, why not Hugh then? He is a very capable character actor, had experience with the role both in 2008 and 2013, the later of which he won an award for. He brings the excitement and prestige of a familiar face-- a recent phantom and broadway veteran with decades of experience, yet we might also avoid the matinee idol salaries. He's had time to rest from the phantom and may be ready for a fresh start. He sounds like a sensible choice to me, and would sing the score divinely.
I could be entirely wrong, but I remember reading somewhere that Cuccioli had some difficulties with singing the Jekyll parts in the J&H score, since he's apparently a baritone. If that's true, would he be okay singing Valjean?
"Was uns befreit, das muss stärker sein als wir es sind." -Tanz der Vampire
I wonder how much it costs. I saw the original and this revival and actually enjoyed this one more. But I imagine the original cost more to run with the turntable and larger orchestra.
Doesn't seem to me that Les Miserables needs a big star name to continue running. Like the Phantom it has a built in fan base and the book and score is the attraction.
Not only does Les Miz have its own fan base, it has Phantom's, probably because there is so much cross-pollination between the two shows. If any Phantom has not played JVJ, it's probably because he's played Javert instead.
I do believe that Ramin as JVJ will be a hard act to follow. I was not impressed with him in POTO or on the Love Never Dies album, but he was amazing as Javert. I wonder if he'll be followed by another ex-Phantom, specifically baritone Norm Lewis, who is taking singing lessons, according to an interview I read or saw on television. He said he wants to increase his tenor range so he can have a chance to play JVJ someday. Unless he squeaks during "Bring him Home," he'd be celestial.
Audrey, the Phantom Phanatic, who nonetheless would rather be Jean Valjean, who knew how to make lemonade out of lemons.
Ramin's great, but there have been so many men who've done this role already for the past nearly 30 years all around the globe that saying the next Valjean will be a "hard act to follow" is reaching a bit.
Less-than-stellar Valjeans haven't sunk the show and exceptional Valjeans don't neccessarily pack them in either. It just is.
"This thread reads like a series of White House memos." — Mister Matt
I thought Ramin was fine when I saw him, but I've definitely seen/heard better Valjeans out there, both vocally AND acting-wise. In my opinion, it won't be hard for them to find a good replacement.
"Was uns befreit, das muss stärker sein als wir es sind." -Tanz der Vampire
I am hoping for Alfie Boe... or Nathaniel Hackmann to be promoted
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"Because this production stated that they were trying to learn from the mistakes of the last revival and not rely too heavily on what they've done before. Of course anything is possible, but it seems more likely that they'd try to bring in someone fresh."
John Owen-Jones originated Valjean in this production when it first opened in 2009 in Cardiff.
Oh God, I hope Alfie Boe will never return to Les Miz... the voice is excellent, but his acting is simply atrocious.
What about John Cudia? He did a nice job with Valjean in Chicago some years ago and it has been too long since his last performance on Broadway... his Phantom was stunning!
I've heard MTI is no longer licensing Les Mis past June 30 of this year due to an upcoming tour. Not sure when or if we'll get an official announcement, but it would be odd for them to restrict licensing unless the show is going on the road again.