I feel like the show's setting itself up for a really great year, year and a a half, and then an instant decline the second the leads leave. The marquee itself doesn't even have the name of the show on it - that's just on the hanging poster above the marquee. This will very quickly become the "Hugh and Sutton" show, and the second either of them leave, the show's going to have a rude awakening.
And you know why people are still upset about Beetlejuice? Because Scott Rudin's greed and absolute control has been displayed time and time again, from the insane West Side Story casting to the advertising lawsuit. He's also made it very clear he doesn't care about BIPOC in his shows and has relegated them to ensemble and understudy roles, if they're present at all - or, with shows like WSS, he's overdone it with performative activism and ruined the purpose of the plot. (Diep Tran has a fascinating article about this.) Beetlejuice wasn't perfect with this, but at least they were trying - including cast members like Kelvin Moon Loh as Otho and Leslie Kritzer as Delia/Miss Argentina. And yeah, the way they were closed was less than ideal for fans. You know who else complained about it? Brittain Ashford. John Mulaney. Broadway actors and writers who saw right through the BS. I don't think it hurt that there was a NYT profile about why the show was closing in the way it was. (It also casts one of Mulaney's lines from Oh, Hello in a new light - when Kroll's character said that he thought the duo had gotten the Winter Garden Theatre, Mulaney's character says, "Have you tried f*cking dealing with the Shubert Organization?" ) Whether BTJ comes back or not, there was already a lot of anger building against Scott Rudin, from both the Broadway community and its fans, and it was only a matter of time before a show people liked was hurt because of his greed. And people are furious that he forced a show that was making millions a week to close for a show without any actors/creatives of color that, because of his marketing, will be closed in a few years anyway because he didn't learn the lesson from Hello Dolly that you have to get people to recognize the brand of the show before relying on the brand of the famous people that happen to be in the show.
And this is coming from someone who, for the record, DOESN'T LIKE BEETLEJUICE.
"I think that when a movie says it was 'based on a true story,' oh, it happened - just with uglier people." - Peanut Walker, Shucked