Much as I loved Spamalot, I don't think its necessarily deserving of Best Musical. I would love to see either Guettel or Finn get that particular award. Piazza is the most gorgeous thing I've ever heard.
That said...should Spamalot win I will jump in the air with my Christina Apple-tini (remember, I'm having a Tony party) and cheer!:)
And Munk we Agree again...could be wrong as all hell, but I see it as the underdog that everyone will be voting for and just not mentioning...IT WAS BY FAR THE BEST OF THE BUNCH!
Go DRS! I'm not expecting it to win at all, if for nothing else I won't be disappointed if it doesn't but I will be ecstatically surprised if it does.
I'd be pretty pleased if Piazza won as well, feel same way about that. Believing Spam is fav and Bee second, so mine are two underdogs, hope there's an upset!
"If there was a Mount Rushmore for Broadway scores, "West Side Story" would be front and center. It snaps, it crackles it pops! It surges with a roar, its energy and sheer life undiminished by the years" - NYPost reviewer Elisabeth Vincentelli
Riedel's picks are virtually identical except in the revival categories where he predicts Virginia Woolf over Twelve Angry Men, and says "La Cage" is on its last legs (the rumor is that it will close in mid-June whether it wins the Tony or not), so the award will probably go to "Sweet Charity" by a nose or, as one voter says, "a broken foot."
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle