Dropping out a few titles of great shows I think deserve a revival sometime soon: "The Ritz" (Still a Hoot!) "Torch Song Trilogy" (It was said a year or two ago that John Cameron Mitchell was looking at this for Broadway, He would be fabulous!) "Who's life is it Anyway?" (This is well written stuff!) "Agnes of God" (More great writing!) "They Mystery of Edwin Drood" (20 Year Anniversary!) "Woman of the Year" (This great Kander & Ebb Musical would have a whole new audience today!) "The Little Foxes" (Every age deserves a 5 star mounting of this!) "Piaf" (This would be a hard one to re-cast but would work!) "Equus" (It would be even more shocking today!) "Gemini" (Just a wonderful show!) "Grand Hotel" (You know why...) "The Unsinkable Molly Brown" (Great feel good show!) "The Tap Dance Kid" (This should have been redone already!) "The Rink" (It would have a bigger run now) "The Grand Tour" (This, I feel, Never got the chance it deserved) "A Day in Hollywood, A Night in the Ukraine" (Another great show!) "Sunday in the Park with George" (great show, If done well it would run!) If we have Revivals of such great shows, Our new young folks today will have more options to enjoy them too. (I guess my list was longer than I thought!)
"It is bad enough that people are dying of AIDS, but no one should die of ignorance." -
Elizabeth Taylor
The problem with Bye Bye Birdie (along with Pajama Game and South Pacific) is the fact that it's too dated. Birdie is probably the least dated of the bunch, but it's still....old. A great production, with a better-than-words cast, can overcome that, though.
I, too, would love to see a revival of Sunday in the Park....with Raul and Melissa reprising their roles from the production a few years ago.
I think Bye Bye Birdie done, to the hilt, as a grand period piece would be wonderful. There are so many great songs to be choreographed, so much fun. Jerry Mitchell would have a BALL.
They need to revive Funny Girl with Ana Gasteyer as Fanny Brice. I know she played the part in Pittsburg a few years ago but I'm not sure what kinds of reviews she got. I really think she is the only person who would be able to do the show without being trashed because she isnt like Barbra. She has the look, and anyone who has ever heard her sing knows she has the voice for it.
A revival of Pippin also needs to happen with either Michael Arden or Gavin Creel as Pippin.
Okay, so maybe it hasn't been closed long enough to warrant a revival yet.... but I want it back so badly!
"You just can't win. Ever. Look at the bright side, at least you are not stuck in First Wives Club: The Musical. That would really suck. "
--Sueleen Gay
I think I saw the original productions of every show on jimmirae's list:
Given the realities of AIDS, The Ritz will never be revived on Broadway given its gay bathhouse setting and depiction of promiscuous unsafe sex, orgy rooms etc... Many see it as being in bad taste now.
Gemini had a successful revival off-Broadway at Second Stage about 5 years ago. It was fun, but I don't see it coming back to Broadway anytime.
Little Foxes was unsuccessfully revived by Lincoln Center just 8 years in a critically-panned production starring Stockard Channing. Don't expect to see it on Broadway again for another decade or two.
Not sure about The Rink. It flopped even with Minnelli and Rivera in the lead roles, so I can't imagine any producer wanting to spend $10 million to bring it back. Same with The Grand Tour which starred Joel Grey. Broadway producers have zero interest in remounting shows that ran three months and lost their entire investments the first time around -- it'll NEVER come back.
The Woman of the Year was a pretty lousy show. It worked as a star vehicle for Bacall and later Raquel Welch, who's names guaranteed it would sell tickets, but the show itself was quite mediocre (the only first rate thing about it was Marilyn Cooper stopping the show with "The Grass In Always Greener").
Sunday is one of my all-time favorites, but I wonder if it can ever be a hit with mainstream audiences (the original was a flop). There's a critically acclaimed scaled down version about to open in the West End. Perhaps that'll come over at some point. Or else, maybe a not-for-profit like Roundabout will mount it. I think most commercial producers would avoid it considering its less than promising financial prospects.
I fondly remember seeing Geraldine Page, Elizabeth Ashley and Amanda Plummer in Agnes of God. I thought the play was a bit creaky and exposition heavy (Ashley's monologues seemed endless), but it made for a decent vehicle for the three stars. Get three names together for it and perhaps it could come back. Same with Equus -- the play is a bit creaky and maybe a little dated, but Dysart and Alan Strang are extremely juicy roles. Get a major name for Dysart and it could come back. Whose Life Is It Anyway also is reliant on a big star if it is to be revived.
There was talk of Reba McIntyre doing Molly Brown after she triumphed in Annie Get Your Gun several years ago, but nothing came of it (I believe she passed on the show). Not a great show, so it would only be revived if a truly HUGE name star wanted to bring it back.
Tap Dance Kid was OK. Some good dancing and a couple of good songs. Nothing special. I don't think it would be worth the trouble of reviving it.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Hmmm Bernadette as Dolly. Not yet... in ten years. But I could see it.
DF loves the little children, all the children of the world black and yellow, gay or straight, they are perfect in her light DF loves all the children of the world-Dame Fanadette
"A revival of Pippin also needs to happen with either Michael Arden or Gavin Creel as Pippin."
Gavin recently made the decision to move out to L.A., so he could be out of the NY theater scene for a bit, though I would LOVE to see him in a Pippin revival.
"You just can't win. Ever. Look at the bright side, at least you are not stuck in First Wives Club: The Musical. That would really suck. "
--Sueleen Gay
Piaf is a tiny little show that probably belongs Off-Broadway, rather than On these days.
I suppose Drood and Hollywood/Ukraine are revivable, though I doubt either would be particularly big hits.
Torch Song might work. Does it come off as dated now? Especially the opening act's drag queen monologue and depiction of back room sex? It's definitely of another era -- almost a period piece now. I wonder how audiences (especially gay audiences) would react to it.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Why would Peters need to wait 10 years to play Dolly? Channing was 42 when she created the role. Peters is 57 (58 next month).
And speaking of ages, isn't (the nearly 40 year old) Gasteyer a wee bit old to be playing Fanny Brice? Isn't Brice supposed to be in her late teens when the show opens and just mid-20s by the end?
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Lincoln Center is producing South Pacific in 2007 (after Coast of Utopia finishes at the Beaumont).
I wouldn't be surprised if the UK Evita, which just finished casting, eventually makes it over here if the reviews are good.
There's long been talk of a 50th anniversary production of West Side Story (helmed by Jerry Mitchell recreating the Robbins choreography), but I haven't heard any news on that in several months.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney