Just read this on today's Riedel's colum on the Post. It really is tragic that Bennett never got around to doing work on this show, the score isn't half bad (I know it has some big fans on this board, from what I have heard from it, I like some of it, and dislike some of it) but if someone could pull a show together it was Michael Bennett. I do hope I get to see the Carnegie Hall concert if Rice does get the chance to do it in New York. Wonder if Menzel will play Florence here as well:
"It's just an excuse, really, for me to have the show done by the best possible people, the way I want it performed," says Rice, who's putting up the entire $250,000 production cost himself. (His monthly royalty check from "The Lion King" should cover that.)
"I'm not doing it to make money," he says, "just to satisfy myself and to remind people how good the show is."
If all goes well, he'd like to bring the concert to Carnegie Hall later this year, and he hopes it might lead to a West End or Broadway revival. Rice's CHESS Strategy
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
i think Bennett would have done wonderfull things with this show and while having seen a couple of productions ( Sydney Australia, i think i must have been the only person to love this production. Set inside a Bangkok hotel. the show worked perfectly. Would love to find the soundboard recording. )
I am not sure that the cast they have is right the cast for this show, but as long as Rice goes back and tires to fix some of the issues with the show, all i can say is welcome back.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
Love to see this back. I just hope this stick what works best with the show and leave it as that. They messed around with it far too much previously which damaged it greatly, esp on Broadway.
Broadway revival, please! There's no show that I'd rather see revived. I think the show has so much unrealized potential.
The Bennett aspects of the OLC production were really stunning, and I can only imagine how much better the show would have been if he'd been able to follow through with his staging. Nunn's staging of the numbers was completely at odds with the set and feel of the show (don't even get me started on Broadway).
From what I have heard of Chess the music is amazing. Does anyone have any information on why the show was not successful? Was it a bad book, bad direction?
Thanks.
http://theaterfag.blogspot.com/
Reviews and the like
"But the score lived on, with the gorgeous ballads "I Know Him So Well" and "You and I" becoming contemporary standards. "
Is "You and I" being performed or recorded? I didn't realize it had a life outside of the show.
"What was the name of that cheese that I like?"
"you can't run away forever...but there's nothing wrong with getting a good head start"
"well I hope and I pray, that maybe someday, you'll walk in the room with my heart"
I agree with Tim Rice's sentiments about the Broadway version of Chess. Trying to turn it into a book musical was a mistake. It is so much more engrossing sung through.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
There was also a rumour that the recent Sweden incarnation would be the one used if it ever comes back to broadway.
I hope not, although it had 2 new and somewhat interesting songs, I could not follow the story, they made the arbiter into a bafoon and the set was rather boreing.
I love the version on the Danish CD (which is basically the London version with a few extra bits)
http://www.flickr.com/photos/27199361@N08/ Phantom at the Royal Empire Theatre
This is definitely exciting! I think going back to a sung through show is essential. Listening to all the millions of versions that exist, it was really the original London show that had the most energy and quickest action. Also "The Endgame" from the original is just simply astonishing.
sanda - I don't believe that is what mikem meant. I think it was in reference to You and I being a "contemporary standard", which it isn't. I Know Him So Well has been recorded several times as well as Heaven Help My Heart and Anthem. But I don't believe I've seen much of You and I outside of a cast recording of the show.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Mr.Matt, you are right. I misunderstood the meaning. The only time I heard the song performed out of the show was when Anthony Warlow did it during one of his concert.
If this happens I'd love to see Josh Groban as Anatoly. His concert version of the character sounded fantastic, and I hope the concert with Ms.Menzel will show this.
Your aspirations are your possibilities-Samuel Johnson (and a little help from nomdeplume)
Considering Idina's CD is not being very well received by critics, I hope she would continue to a full scale production.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards