So I bought "The Woman in White" CD and was listening to it, and I couldn't help but notice that the tune to the "Lammastide" number in the first act sounded very very familar, so I replayed it, started humming along and the chorus "Sing! For it's Lammastide!" is familiar, eerily familiar to "Hey Macarana! *chomp*"
Please tell me I'm not the only one who thinks this.
Then sing the song: School days, school days good old fashioned rule days
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
"If you try to shag my husband while I am still alive, I will shove the art of motorcycle maintenance up your rancid little Cu**. That's a good dear"
Tom Stoppard's Rock N Roll
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS
The main theme of the Phantom overture was apparently ripped off from part of the song Echos by Floyd. I read an article about it where Roger Waters said that it was clear that Webber stole that bit of the overture (and of course the "Phantom Theme" we hear through out the show) from their song Echos. But, he said that life was too short to fight over something small like that.
"If you try to shag my husband while I am still alive, I will shove the art of motorcycle maintenance up your rancid little Cu**. That's a good dear"
Tom Stoppard's Rock N Roll
I read someone making that Macarana comparrision before when the show opened on broadway. I hadn't picked it up till then, now that is all I hear when i hear that song. It has always been my lest favourite song in the whole score.
http://www.flickr.com/photos/27199361@N08/ Phantom at the Royal Empire Theatre
I did a few different google searches. I couldn't find any other version of Lammastide other then what Webber wrote.
"If you try to shag my husband while I am still alive, I will shove the art of motorcycle maintenance up your rancid little Cu**. That's a good dear"
Tom Stoppard's Rock N Roll
This video (and it's meant to be tounge-in-cheek) highlights some of the most obvious "coincidences" in Lloyd Webber's work. Andrew Lloyd Webber obituary
this is slightly off topic, but I remember reading somewhere that the "Don't Cry For Me Argentina" can be found in several places in the score of Evita, sped up, slowed down and...possibly inverted? I know it's really common for composers to have motifs in their pieces [there are certainly a lot in Sweeney], but I thought the DCFMA was really interesting and almost...ridiculous.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel