OT - but you're confusing me with someone else because I have never been caught making any comments about CHICAGO much less calling it the cradle of anything.
I am not suggesting that Piven and Moss aren't going to do well - in fact Piven seems to be successfully playing a similar role in ENTOURAGE, and I am already a fan of Moss based on her multi-layered performances in MAD MEN. But the Broadway debut issue is so much more complex when it is a 2/3rds of the cast of three than some significant proportion of a larger cast as was the case in COMPANY.
And one more time and I'll stop - this isn't about Raul. For me it is really about Mamet. No one hopes more than I do that this is a success for all three actors (and the producers, God love them).
Really? 'Cause the search feature generally doesn't lie:
The Raúl E. Esparza 'Spread The Love' Thread, Part Four - keen on kean Aug 26, 04:34 PM So Jeremy and Raul both got started in Chicago - the new cradle of civilization.... [more]
(I meant Chicago the city, not the musical.)
How is suggesting that actors making their Broadway debuts aren't good enough to handle the material "not suggesting [they] aren't going to do well"? So it's two thirds of a cast making their Broadway debuts as opposed to handful in a fourteen person musical company. Unintended. But really, if you're implying that performers who have never done Broadway before shouldn't be trusted with the work of a master like Mamet (which I'm sure you'll tell me you're not)... well, what's Sondheim? Chopped liver? Why should it be okay for Company but not for Speed-the-Plow? If it's truly about the proportion, then I see your point, but I still have to disagree. Just because this is the Broadway debut for both of them doesn't mean they can't handle it. I just think it's kind of an insult -- you're basically saying that if it's a handful of people in a bigger show, it's okay, because they can ride on other people's backs and hide behind those who will carry their inadequate performances. But in a smaller show where they're more exposed and can't hide behind an ensemble, it's a problem because having not done Broadway before, they aren't good enough for it.
What I don't understand about your argument is that... you seem to be saying if they've never done Broadway before, they aren't good enough for it. But how would they ever be ready, by that logic? It's like you're saying that if you've never been on Broadway, you obviously can't do it. Everyone who's ever been on Broadway was once at a point where they hadn't been. So how is it remotely logical to insinuate that just because they have never been on Broadway, they shouldn't be in this show? How would we ever get new blood if actors yet who hadn't done Broadway were dismissed because of that fact? Celebrity aside here, I think that's an incredibly narrow viewpoint. These are two well-regarded actors with pretty strong followings. Not having done Broadway before changes the type of experience they have. It doesn't mean they aren't experienced enough.
I have a lot of optimism about this one. Mamet isn't even my personal cup of tea, but I think it's going to be great. Mamet founded the Atlantic, and Neil Pepe is the artistic director, so I trust the play is in good hands there, and I'm confident in the cast. I don't say that a lot about television and film actors. But this casting seems like it was done with the right ideas in mind.
I think it's kind of ridiculous to suggest that an award-winning actor with stage experience isn't good enough for Speed-the-Plow when Madonna was in the original Broadway cast.
Like a firework unexploded
Wanting life but never
knowing how
Broadway.tv feature of the press gang-bang at the first day of rehearsals of STP.
"I like the language, I like the kick-ass nature of Mamet’s writing….getting to do something where you get to throw your balls up against the wall….I like that."
He's got a little Robin Williams thing going on in that photo.
Now, mother always said that whenever you hear a strange, frightening, and potentially life-threatening ghostly chant coming from the dark woods that there's one thing that you should do: Not wake the others and go investigate it alone...
Yay for the marquee. I'm never in that area anymore lately. I happened to be a couple of times last week, so I popped by to see if it was up, but it wasn't yet.
Now, mother always said that whenever you hear a strange, frightening, and potentially life-threatening ghostly chant coming from the dark woods that there's one thing that you should do: Not wake the others and go investigate it alone...
The marquee is so completely epic, you guys. I didn't have my camera on me today, but I will try to take and post some pictures next time I'm in the area, which will probably be in a few days.