I hope these audiobooks pay well. For an actor, they're a ridiculously easy gig. No makeup, no costume, no blocking to rehearse, and you don't even have to memorize the lines. The majority of the prepwork (aside from just reading the book) would be creating the different voices you'll need.
I think Jim Dale is the acknowledged master of this - supposedly he created over 500 different voices in order to do the audiobooks for the whole Harry Potter series. He and Raul are friends - presumably he's given Raul some pointers on the finer points of audio book recording. But I bet the best part is getting to read the book before anyone else does. Score!
Yes, that was the impression I got when Raul mentioned that, prior to doing "The Homecoming", he spent a weekend at Jim Dale's home in the country, working on his accent for the play. Now, I could be wrong, but it seems to me inviting someone to your home for the weekend, even if you plan to work, is something you do for a friend, and not a stranger (and they've known each other since they worked together in "Comedians", too).
That's funny. Jim Dale's accent is so non-english to me. I don't know if it's because I'm so used to hearing it, or what. But his particular accent sounds so neutral to me.
"What a mystery this world. One day you love them and the next day you want to kill them a thousand times over." The Masked Bandit in THE FALL
I know it's pretty much not going to happen now, but I'm listening to Raul's "Soliloquy" and thinking that maybe it's not *so* far-fetched to think of him as Frederik in ALNM. Hm.
Bostongal, I got your PM but when I tried to reply I got this message: "Sorry, This User Does Not Accept Private Messages".
You might want to check your settings and make sure that you've got them set so you can get PM's. And if they are set right, and you still can't get PM's, get in touch with Craig.
Worst case scenario, start from scratch and create a whole new screen name.
Raul was on the cover of The Hollywood Reporter last week:
The article was about Hollywood actors heading to Broadway. He wasn't mentioned in the article, but still, getting your pic AND the credit front and center of HR is not a bad thing!
On the other hand, not every show needs movie stars. Those based on hit movies can market their brand name titles and elaborate sets -- like "Shrek the Musical."
Ugh.
Like a firework unexploded
Wanting life but never
knowing how
Wes Craven is on Twitter. A couple of weeks ago he said they were doing some pickups for 25/8, with the kids (nothing with Raul, I think), something to do with the ending.
Anyway, yesterday he tweeted: "Beginning to lock down picture today" and then today he tweeted: "Just locked down reels 2, 3 & 4... 3 more to go!"
I'm listening to "Tick Tick Boom" for the first time, ever, and find it really interesting "Sunday" is the closest studio recording to his performance at the Kennedy Center :P.
I could imagine it inspired him to audition.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Which means we're also getting closer to the moment when I'll actually have to see a horror movie in theaters despite my great aversion to the genre. Sacrifices.
I have never successfully made it through a horror film. Granted, I've only tried about twice, but still. Love him, but I may pass. Unless it seems likely that I'll just be able to laugh through the entire thing.
"I had been working in Chicago for a year at Equity theatres under non-Equity contracts. Sometimes the roles were small, sometimes they were extraordinary. The kicker comes when Frank Galati, the great and generous artist, offers me a beautiful role at the Goodman Theatre in his adaptation of CRY, THE BELOVED COUNTRY. The role is not large, but it is important, and Frank inspired the very best in me. It begins to bother me that I am working harder than many company members and earning far, far less because I am not Equity."
Yeah, it sounds like they didn't edit anything he said or edited it badly. And I was also picturing the last sentence being tacked on or read from a cue card!
It sounds conversational, like somebody asked him about it at a Q&A, and told the story like that in present tense. It should have been cleaned up a little for the print version.