It’s not about looking at press releases, it’s about looking at the context. We just have to look at the origin of the material and timing of the new production, and ask the question: what is being DONE here? Is someone (the producer) taking an established play and REVIVING it (i.e, bringing it back after the original production had been left for history) or is this a culmination of a show’s road to Broadway?
For example, shows like Hadestown and The Visit had been around in some form or another for over a decade before they came to Broadway. But every production along the way was a step on the same “road” that eventually led to Broadway. There was a progression that was very slow, but never abandoned. As opposed to shows like Three Tall Women or The Waverly Gallery, which had their premiers some time ago, then everyone went about their merry way, and later someone decided to take that material and create an all new production of that had no affiliation with the original. To continue the metaphor - the road reached its conclusion, then someone started a new road (sorry, not a perfect metaphor, but hopefully I’m making my point).
Or in the case of things like A Christmas Carol and To Kill a Mockingbird: is someone doing another adaptation of the same source material, or are they bringing back an adaptation that already exists?
Updated On: 8/20/19 at 11:51 AM