Eddie and Jessie were asked point blank if they were bringing this production of Cabaret to Broadway. No one said “yes” or “no” to the question, but Buckley did say “I don’t know!” with wide eyes.
Has Back to the Future been eyeing a transfer at all? I haven’t seen any indication it’s been planning one, but after it’s win today it probably will now. The Adelphi is a Nederlander house, so I’m sure they’d want it in one their own theatres on Broadway. Maybe this can reopen The Palace?
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The BAFTAs, the British equivalent of the Academy Awards, are held, but an edited version of the broadcast isn't aired until a few hours later. (I wonder why.).
So do we know if a cast recording of Cabaret was actually made? Either studio or soundboard? Seems like a bit of a shame not to be..
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
MadsonMelo said: "Also, the only actors that I recall that won for play and musical were Judi Dench and Sharon D. Clarke, am I missing someone?"
It depends on what you mean, but several other actors won Olivier Awards in both plays and musicals categories, like Janie Dee, Jonathan Pryce, Imelda Staunton, Alex Jennings, Simon Russell Beale, Bertie Carvel etc
Wayman_Wong said: "The BAFTAs, the British equivalent of the Academy Awards, are held, but an edited version of the broadcast isn't aired until a few hours later. (I wonder why.)."
The BAFTAs start pretty early in the day so they can be finished with plenty of time for the big formal dinner afterwards, and the parties after that. The BAFTAs don’t get amazing ratings but I guess broadcasters want to air a big celeb-filled award show during primetime. Airing it with a delay also lets them edit out anything naughty.
The Oliviers get terrible ratings because most people in the UK don’t know or care about London theatre and only a few people are well-known outside the theatre world, so the broadcaster cut it down to 55 minutes and shove it on late at night. I honestly don’t see why they can’t broadcast it in full, given it’s late at night anyway. Cutting Liz Carr’s amazing speech about disability representation is appalling.
While I never want a production to fail, it's quite funny how London theater basically shut out Moulin Rouge, which I don't believe deserved its ridiculous Tony sweep. Losing choreography & scenic design, arguably their most competitive elements, is a pretty brutal message.
Here’s my take on “Moulin Rouge”, which could just all be in my head but makes sense to me.
The two leads are so ridiculously miscast (him ESPECIALLY) that people leave the show more focused on how awful he was and the zero chemistry between them and that just overshadows so much of what’s actually good in the show. When something as major as the leading performances stink, that’s all of what people remember.
I am so happy Cabaret won so many awards tonight! Hoping this increases its chances for a Broadway Transfer. I also can see Life of Pi and Back to the Future coming to NYC soon! Such a wonderful ceremony! Congratulations to all the winners and nominees!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
Jordan Catalano said: "Here’s my take on “Moulin Rouge”, which could just all be in my head but makes sense to me.
The two leads are so ridiculously miscast (him ESPECIALLY) that people leave the show more focused on how awful he was and the zero chemistry between them and that just overshadows so much of what’s actually good in the show. When something as major as the leading performances stink, that’s all of what people remember."
Lisi did “Dreamgirls”, if Im not mistaken, and she was kinda weak there too
Now that was probably one of the best awards shows I've seen. Maybe that's partly because I just got back from a week in London and was lucky enough to have seen many of the shows that were nominated (and in several cases ... WON).
VotePeron said: "While I never want a production to fail, it's quite funny how London theater basically shut out Moulin Rouge, which I don't believe deserved its ridiculous Tony sweep. Losing choreography & scenic design, arguably their most competitive elements, is a pretty brutal message."
To be fair though that Tony Award season was weaker than usual given how a number of musicals had not officially opened yet when the pandemic shut Broadway down in March 2020. Moulin Rouge's competition that season were only: Jagged Little Pill, Tina, and Lightning Thief.
So who was the host? He seemed like a used car salesman, with posh.
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These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
''To be fair though that Tony Award season was weaker than usual given how a number of musicals had not officially opened yet when the pandemic shut Broadway down in March 2020. Moulin Rouge's competition that season were only: Jagged Little Pill, Tina, and Lightning Thief.''
Had it not been for the COVID hiatus, I still think ''Moulin Rouge!'' also would've won Best Musical over ''Girl From the North Country,'' as well as ''Mrs. Doubtfire,'' ''Six'' and ''Flying Over Sunset.'' I know it has its detractors, but box-office wise, ''Moulin Rouge!'' had been quite a crowd-pleaser before its 10 Tony Award wins.