Surprised they're waiting that long. Their grosses are well below their weekly nut.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Wonder if a Studio 54 rental will open there before the Tony cutoff? Timing is tight but doable if something has just come together and is ready to go.
DrMonicaDeMoneco said: "Whaaaaaat? They were sold out every night! I don’t understand why they’re closing?"
I can't tell if you're being sarcastic or ignorant but in any case...they haven't played a single week where every seat was sold-out. Best weeks were about 91%.
ErmengardeStopSniveling said: "Wonder if a Studio 54 rental will open there before the Tony cutoff? Timing is tight but doable if something has just come together and is ready to go."
It probably won’t run at Studio 54, but I imagine the producers of THE BALLAD OF JOHNNY AND JUNE are salivating right now with AWW about to be out of the picture in NY.
EDSOSLO858 said: "It probably won’t run at Studio 54, but I imagine the producers of THE BALLAD OF JOHNNY AND JUNE are salivating right now with AWW about to be out of the picture in NY."
I somehow missed that had played not one but TWO out of towns now! I thought it was premiering later in 2025 at La Jolla, but I'm a year behind...
It's economical, as far as jukebox musicals go. 9 in the onstage cast (call it 14 with swings) and 7 in the band for the Canadian engagement.
ErmengardeStopSniveling said: "EDSOSLO858 said: "It probably won’t run at Studio 54, but I imagine the producers of THE BALLAD OF JOHNNY AND JUNE are salivating right now with AWW about to be out of the picture in NY."
I somehow missed that had played not one but TWO out of towns now! I thought it was premiering later in 2025 at La Jolla, but I'm a year behind...
It's economical, as far as jukebox musicals go. 9 in the onstage cast (call it 14 with swings) and 7 in the band for the Canadian engagement.
Who's producing?"
Tommy Mottola and Dodger Theatricals were attached earlier in development.
brdwybound04 said: "Could the CityCenter production of “Ragtime” transfer in before Tony Awards cutoff and play a very limited engagement from April through Labor Day?"
Latest rumor is that it will play LCT in Lear DeBessonet's inaugural season.
If roundabout had the balls they would close this down for a massive refurbishment.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
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Call_me_jorge said: "If roundabout had the balls they would close this down for a massive refurbishment."
You don't like the 2 inches of legroom and the leopard print carpet??
As much as I'd like a reno, I don't think Roundabout is in the place to spend millions on an overhaul without a capital campaign or some big new donor.
I'm sure ATG and others have offered them a handsome sum for it.
I accurately predicted this would happen. It was gonna have enough gas to last through February, but the onslaught of new shows would make a bad situation worse so they are packing it in. This marks two early closures for Iglehart in back to back seasons - yikes.
Honestly, they would be foolish not to take advantage of the history of the space and flip it to give us CATS: The JELLICLE Ball. They’ve been aiming for a summer opening (from what I’ve been told) so this gives them time to get on that
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Whatever's coming next has likely been in the works for a while. The writing has been on the wall for Armstrong (it's not like they made this decision today) and theatre owners are always looking ahead.
ErmengardeStopSniveling said: "CATS would be great in there.
Whatever's coming next has likely been in the works for a while. The writing has been on the wall for Armstrong(it's not like they made this decision today) and theatre owners are always looking ahead."
The decision wasn’t made today - but they told the cast between shows today. Yikes.
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quizking101 said: "ErmengardeStopSniveling said: "CATS would be great in there.
Whatever's coming next has likely been in the works for a while. The writing has been on the wall for Armstrong(it's not like they made this decision today) and theatre owners are always looking ahead."
The decision wasn’t made today - but they told the cast between shows today. Yikes."
They got a four week notice? How is that something to be disgruntled about? Most shows post closing notices a week ahead.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
quizking101 said: "The decision wasn’t made today - but they told the cast between shows today. Yikes."
That's very generous of them to give the cast four weeks' notice and inform them between shows, instead of at half-hour.
Casts are rarely ever given notice in advance of announcing. News spreads like wildfire and the press release gets scheduled to go out as soon as the cast/crew/production staff/investors are informed. And there's still a belief that the cast should be informed in-person.
Announcing on a Saturday night is also a strategic move to bury the announcement.
I suppose you guys are right. I was just thinking about how they did it between shows on a Saturday - like “Congrats on finishing one. BTW, we’re closing. Now go do another…”
I didn’t necessarily think about the recent spate of shows that have made announcements at the worst times, if I’m at all.
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What you’re describing is how EVERY musical posts closing notice. If Equity had a problem with it they would have gone on strike years ago.
I’m still surprised Equity hasn’t struck in an effort to force producers to pay out salaries — even a small percent of salary — for the original # of contracted weeks. e.g. “If you want to contract everyone for 52 weeks and post closing notice due to low sales after 10 weeks, you need to pay them 20% of salary for the remaining 42 weeks.” It would upend the entire Broadway musical business model and bond process.