But this show should have worked. However, they made ghastly choices from square one. The Addams Family IS a good franchise. You don't bring in the guy who wrote, well, come to think of it, what the hell HAS he written? What happened to the apprentice system in the composing arts? You can't just walk in and design a Broadway show. You have to find a way into the Guild and then work for dogs years as an assistant.
Hell, they wouldn't let Stephen Sondheim write the music for Gypsy. As Louis B Mayer said to Arthur Freed, a very successful composer who wanted to produce a movie,"You have to learn to crawl before you can walk."
Imagine what Marc Shaimen could have done with these characters.
And then there are the two directors who, wait, what big-budget Broadway shows have they done? (Cue: crickets chirping.)
Oh wait, I'm not done. Because when you think of the perversity of Charles Addam's humor, the first name you think of as book writer is Marshall Brickman, who wrote....... uh, Jersey Boys? Well, he did write "Annie Hall" and "Manhattan" and Woody Allen is kinda ookie and spookie, so maybe there is a connection.
I just think this was a misbegotten, ill-conceived project that could, shouda and woulda been a contender in the right hands.
http://www.broadwayworld.com/board/readmessage.cfm?thread=972787#3631451
http://www.broadwayworld.com/board/readmessage.cfm?thread=963561#3533883
http://www.broadwayworld.com/board/readmessage.cfm?thread=955158#3440952
http://www.broadwayworld.com/board/readmessage.cfm?thread=954269#3427915
http://www.broadwayworld.com/board/readmessage.cfm?thread=955012#3441622
http://www.broadwayworld.com/board/readmessage.cfm?thread=954344#3428699