I am sure there are people running around like crazy right now trying to reign in the projected spending costs so that the investors will release the money needed to complete. If not then I wouldn't be surprised if it was a "Cut Your Losses" scenerio.
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
Rox wrote: "The investors should be glad as they saved themselves a ton of money
Conversely, the critics have lost what would have been their biggest target."
But what about YOU Mr Roxy? What about what you've lost. If it had been a huge financial and critical hit (which nobody predicted for Lion King) you will have lost bitching about the high ticket prices and proudly braying "No, thank you!" because you aren't going to contribute to the market for such OUTRAGEOUS costs. And also the theater restoration fees!! And the taxes!!!
If it had been a critical and financial flop, you will have lost the opportunity to run out and see it and then declare it wasn't "that bad" and that "the critics had it in for Spidey from day one."
And why? Because you play both sides against the middle.
Shame shame shame SHAME on ANYONE who is glad the project is off and think the investors are better off spending their money on a different project.
NO ONE knows what this show could have been. Not even the WRITERS or Taymor.
You may not like the source material, you may think the idea was dumb, you may hate Taymor or other creative members' previous work, but it is completely pathetic to already cast judgement on ANY show without seeing it.
The most recent example I can think of is XANADU. Plus, Taymor has also surprised us in the past with THE LION KING, a show that successfully takes four-legged animals and makes them believable on stage. And from what I remember, there was a ton of criticism at the idea of transferring that film to stage.
I hope the project gets back on its feet and is successful. Even if it is not successful, even if the show flat out sucks, I hope it opens and at least gets that chance.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
I hope the project hasn't been shelved. While I was VERY skeptical when I first heard about it, all the interviews and everything have kind of made curious to see what Taymor would do with the material.
"You drank a charm to kill John Proctor's wife! You drank a charm to kill Goody Proctor!" - Betty Parris to Abigail Williams in Arthur Miller's The Crucible
If this doesn't open, I'm going to be very disappointed because I was actually looking forward to seeing it. I mean come on Alan Cumming and music by U2, how could it get better?
My biggest problem is the $$$$$! I mean who gives anyone 10 million just to re-do a theatre that is only 11 years old? Can you imagine Gower Champion telling David Merrick: "Hey Dave, before we do HELLO DOLLY I need half a Mil (it was long ago)to re-do the ST JAMES to fit the show. It's just absurd. I don't want to see anyone out of work, but all the money in the world can't compete with pure theatrical magic than can be 4 poles and a single curtain. The 10 million alone could support hundreds of gifted young artists.
CapnHook, I don't hate the source material or think the idea of a musical based on Spider-Man is a joke. I am, however, concerned about the ramifications of a show this expensive. As has been stated the show would need to run for 800 years playing to packed houses every night to recoup. That's crazy.
My concern is that this will get going and other, similar, shows will start popping up. Soon all of Broadway is nothing but spectacle with tickets of $200 or more each.
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
"My concern is that this will get going and other, similar, shows will start popping up. Soon all of Broadway is nothing but spectacle with tickets of $200 or more each."
If that is what happens, my broke ass is watching community theatre for the rest of my life.
I'm a professional. Whenever something goes wrong on stage, I know how to handle it so no one ever remembers. I flash my %#$&.
"Jayne just sat there while Gina flailed around the stage like an idiot."
So I guess we should just stop this thread because it obviously isn't true if it hasn't gotten deleted yet.
Unless the mods are like...dead
I'm a professional. Whenever something goes wrong on stage, I know how to handle it so no one ever remembers. I flash my %#$&.
"Jayne just sat there while Gina flailed around the stage like an idiot."
I'm a professional. Whenever something goes wrong on stage, I know how to handle it so no one ever remembers. I flash my %#$&.
"Jayne just sat there while Gina flailed around the stage like an idiot."
"Soon all of Broadway is nothing but spectacle with tickets of $200 or more each."
It's leading that way anyway, It practically IS that way right now. It doesn't matter what prices are -- if the people are paying, then there is obviously a market and the the producers can charge what they want. *I* won't be able to afford the show, and most of my friends and people I know won't be able to afford to see it, but if others can and the show can make a run for its money, then kudos to them.
BUT if they charge $200 a ticket, and people DON'T buy them, thus forcing the show to close or lower prices, then that has taught the producers a lesson and next time prices won't be set that high.
But they never said they would set a $200 ticket price, did they?
The facts are that the producers took on the project with a projected expense. They knew what theater they had months in advance, thus knowing how many seats it has. They're not gonna put money into this without knowing they can profit off of it. They're smart with numbers. They know the math. They knew all this even before the project was green-lit.
IF the show is cancelled, it's not due to the original expense. It's cancelled either because the cost is growing higher than anticipated, there are creative differences, original funds are lost, etc. But it's NOT because of the original projected expense.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle