If “Bandstand” really worked, the finale would find you laughing and crying. Instead, you might just make like the dancers and shrug"
If that is the criteria formulated by the New York Times critic for success, then Bandstand really worked the Sunday that I saw it. The audience bought into the second act with their tears and enormous positive energy directed at the cast. Maybe the fact that it was Memorial Day weekend had an effect.
It will be good when the age of influential theater critics draws towards its end. All but the most egotistical will admit that three people of equal good faith, intelligence and background in theater may attend the same show and come away with three distinct opinions of the show's merits. We are all prejudiced in our reaction to artistic performances based on our education and life experience. To let a rather nasty man like Frank Rich have the power of life and death over the efforts of a hundred dedicated people who work so hard to produce a success never made sense.
Diversity. Not being a member of the wonderful theater community is a great expense, but at least I don't have to bow to the silly and senseless notions that overcome the leadership from time to time. Do I have this right? The King and I, which cast all Asian children, instead should have split the children into equal measures of Asian, African American, Hispanic, and maybe Caucasian? Or maybe I have got that wrong.