little_sally said: "ACL2006 said: "I do wonder if this will tour. Either way, be prepared for every high school and community theater to do this as soon as the rights are available."
Haven't the rights always been available, even during the Broadway run? I thought I read somewhere that the producers kept them available and there's even been regional productions while it was on Broadway."
Yes rights have always been available for the original, pre-broadway, material. We had a local high school do it in the fall and a small regional theatre has it on tap for the summer.
dwwst12 said: "Kad said: "Well, if nothing else, this will demonstrate the commercial viability relying entirely on being viral. A million streams of the album means nothing if those people don’t buy tickets."
Don't a lot of shows that fail to recoup on Broadway make the money back -- albeit slowly -- via tours, licensing, etc? I feel like with a couple of lyric changes, this show could be a steady earner in high school and community theater for a long time. It seems like measuring commercial viability by the length of an initial run is only measuring a small part of the business."
Revenue that comes in from tours or licensing doesn’t make the initial production any less of a loss. Productions are separate from the material.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Just bought tickets for my husband and I (my second time, his first) to see the final Saturday performance. I tend to root for the underdog and am sorry to see it leave so soon. I thought the score was uneven - there are songs I loved and a couple that I hated - but the set and sound design are fantastic and Jason Tam should've been nominated for Best Featured Actor.
==> this board is a nest of vipers <==
"Michael Riedel...The Perez Hilton of the New York Theatre scene" - Craig Hepworth, What's On Stage
I guess they think they need to ride the wave while it is still moving.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
LightsOut90 said: " literally why is this happening?"
The Other Palace is exactly the right place for Be More Chill; it's the only fringe venue in London that really dedicates itself to musical theatre, it's a medium size venue, and cult shows play short runs there for a bit so the show gets seen and a market for further licensed productions can happen.
It's very unlikely to move anywhere from there, but could potentially make a little money based on young adult hype. Regardless of your feelings about the quality of the show, from a licensing/production perspective it's not a terrible idea.
See, this is the kind of stuff the show should be doing. Limited, fringe-sized engagements in international/regional theatres. I'll admit I'm not a fan of the show in the slightest (I really tried...), but clearly it has it's fans. It shouldn't try and pretend like it'll be a long-running smash musical, when it's a perfectly serviceable niche musical. This seems a lot more appropriate.