I went to the opening night of the second iteration of Whose Life Is It, Anyway? because - wait for it - the Sunday evening 6:30 performance was on the TKTS board that afternoon. I sat in jeans amid those in black tie. Moore was terrific, her characterization less funny than Conti’s, but in every way persuasive.
The gender reversal was actually daring for 1980, and she gave unstintingly. The character cannot move, for those unfamiliar with the play, and Moore immobilized was a fascinating challenge she rose to meet. I’m glad it’s in the documentary; it changed her career. Sweet Sue, which I also saw, was not compelling in the same way, though not the fault of its two stars, who famously did not get along off stage.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 5/28/23 at 03:07 PM