Click below to access all the Broadway grosses from all the shows for the week ending 2/9/2025 in BroadwayWorld's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
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Up for the week by attendance (% of capacity) was: REDWOOD (8.8%), A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL (5.1%), CABARET AT THE KIT KAT CLUB (4.3%), HELL'S KITCHEN (1.6%), ENGLISH (1.2%), ROMEO + JULIET (0.8%), HADESTOWN (0.5%),
Down for the week by attendance (% of capacity) was: EUREKA DAY (-7.1%), SUNSET BLVD. (-4.6%), THE LION KING (-3.9%), OH, MARY! (-3.3%), THE GREAT GATSBY (-3.1%), MAYBE HAPPY ENDING (-2.9%), THE BOOK OF MORMON (-2.9%), CHICAGO (-2.7%), ALADDIN (-2.4%), GYPSY (-2.2%), MOULIN ROUGE! THE MUSICAL (-1.8%), THE OUTSIDERS (-0.7%), HAMILTON (-0.6%), HARRY POTTER AND THE CURSED CHILD (-0.5%), & JULIET (-0.4%), DEATH BECOMES HER (-0.4%),
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Superbowl weekend slump. The next two weeks should see an uptick in grosses.
Final week of the wintertime Broadway Week promotion.
Sunday's GATSBY audience got a great surprise, as Sarah Hyland debuted as Daisy a day early!
Happy trails to Didi Romero over at SIX, who heads back to her native Puerto Rico. (Alternates Sierra Fermin, Jessie Davidson, and Aryn Bohannon all have set dates as K. Howard this week until the new principal cast steps in.)
I'm surprised that not even a small handful of shows received a bit of a BroadwayCon bump? Folx in town for the weekend?
Couldn't offset the Super Bowl, I guess. (Eagles!)
Most of these numbers are good, during the wintertime. I was just thinking about daily grosses for shows. I imagine they are available, but not for public consumption. It would be interesting to see that, but that's not about to happen.
I really didn't think Gatsby would hold on this well after Jeremy Jordan left. I'm surprised and impressed.
Stand-by Joined: 11/19/06
Sauja said: "I really didn't think Gatsby would hold on this well after Jeremy Jordan left. I'm surprised and impressed."
I am personally not surprised. I think a lot of people continue to underestimate how recognizable the title is, how masterfully the show used marketing similar to the 2013 film, and how entertaining the show is to the general public. I also think a car and a set go a long way these days.
Fifth straight week Moulin Rouge has fallen in the red
Could Moulin Rouge be on its last legs? I can imagine them announcing a Labor Day weekend closing to churn up some business, then maybe push out closing to the holidays if they get a substantial boost? Maybe Aaron returns to close it out? Either way, I think it’s approaching its end sooner than I thought it would.
EDSOSLO858 said:
I'm surprised that not even a small handful of shows received a bit of a BroadwayCon bump? Folx in town for the weekend?
Couldn't offset the Super Bowl, I guess. (Eagles!)
"
BroadwayCon had a sponsored partnership with some shows but it didn’t seem to do anything. Also, the convention wouldn’t really help with matinee shows since everyone is at the Con (and wasn’t exactly mobbed on the day I went)
BroadwayCon would need to have several orders of magnitude more attendees for it to make any noticeable difference on Broadway attendance.
Swing Joined: 4/27/24
itsahopi said: "I also think a car and a set go a long way these days."
See also: Gypsy
Broadway Legend Joined: 4/22/04
''Fifth straight week Moulin Rouge has fallen in the red''
''Could Moulin Rouge be on its last legs?''
I guess I'll never understand the vulture-like obsession with predicting when a show will close. Just today, ''Moulin Rouge!'' announced it's releasing a new block of tickets that goes through Nov. 30, 2025. Only time will tell, whether the show plays until then, or wraps up earlier. Just for context: It opened in July 2019, took a COVID hiatus beginning in March 2020, and survived a reopening in September 2021 (after an 18-month closure). It won 10 Tony Awards, including Best Musical, and its 1,649 performances (so far) are still an achievement, and shouldn't be taken for granted.
EmceeHammer said: "itsahopi said: "I also think a car and a set go a long way these days."
See also: Gypsy"
If you can find one unambiguous example of a person who's seeing Gypsy for the car, I will pay you $100.
EDSOSLO858 said: "I'm surprised that not even a small handful of shows received a bit of a BroadwayCon bump? Folx in town for the weekend?"
I don't typically show up to this board to be a straight up hater, but I've heard nothing but negativity out of that con. As somebody who volunteered there, I have nothing positive to say about it either. It's basically a cash grab for the teen crowd who want to cosplay and pay to see random stars (Jen Collella and Kevin Chamberlain were the only "noteworthy" ones with paid meet and greet, with Lin Manuel Miranda and Jen Silverman doing panels that coincidentally conflicted timewise). Even if every single attendee decided to see a singular show each night, it wouldn't have boosted the grosses more than 2% from the amount they're already seeing because the con had such minimal attendance. Even Lin's panel didn't fill their mainstage's chairs!
Wayman_Wong said: "I guess I'll never understand the vulture-like obsession with predicting when a show will close."
Indeed. They're like Michael Riedel clones.
Stand-by Joined: 10/8/18
The Gypsy numbers continue to be surprisingly impressive. I thought Audra is giving a performance for the ages (notwithstanding that the music doesn’t fit well with her voice) in an otherwise so-so production. I never thought it would gross as much as it has been — beating out the Lion King last week IIRC.
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