I'd be curious to know if any of our more box office savvy friends could address how the reporting of the grosses and "Top Ticket" figures have changed with the introduction of Dynamic Pricing techniques and if that is in fact the highest price of the given week or whether it is a claimed highest price but subject to circumstantial variation like Premium pricing. Different shows take dynamic pricing to different extents...
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.