Broadway Grosses: Week Ending 9/14/25

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

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Up for the week by attendance (% of capacity) was: CHICAGO (32.1%), THE GREAT GATSBY (26.9%), SIX: THE MUSICAL (26.7%), CABARET AT THE KIT KAT CLUB (22.9%), HELL'S KITCHEN (21.8%), HARRY POTTER AND THE CURSED CHILD (15.8%), OPERATION MINCEMEAT: A NEW MUSICAL (15.4%), ALADDIN (13.4%), THE OUTSIDERS (13.1%), THE BOOK OF MORMON (11.9%), MOULIN ROUGE! THE MUSICAL (10.7%), BUENA VISTA SOCIAL CLUB (10.4%), STRANGER THINGS: THE FIRST SHADOW (7%), JEFF ROSS: TAKE A BANANA FOR THE RIDE (6.2%), THE LION KING (6.1%), MJ (5.9%), DEATH BECOMES HER (5.6%), MAMMA MIA! (5.4%), & JULIET (4.8%), MAYBE HAPPY ENDING (3.2%), ART (3%), JUST IN TIME (0.6%),

Down for the week by attendance (% of capacity) was: HADESTOWN (-2.7%),

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Hamilton is missing?

nativenewyorker2 said: "Hamilton is missing?"

$3,779,453 for Leslie’s first week back. 101% capacity and a $352 ATP.

Impressive numbers for Chicago. The show hasn't shown an 85% in quite a long time. Hopefully, having Mira Sorvino as Roxie will help increase the grosses.

Updated On: 9/16/25 at 02:27 PM

ColorTheHours048 said: "Kad said: "So I guess Broadway is saved."

But what about the death of theatre that was foretold to us?"

Currently playing musicals are doing OK because a bunch of new musicals that opened in winter/spring had already closed. Most of them survived just a few weeks post Tony. 2 biggest revivals have closed in summer. It's all the big usual hits and a tiny handful of smaller new musicals that fully take advantage of lack of competition.

Waiting for Godot has a very popular, unproblematic A list celeb, it was always going to be a big fat hit.

No, I don't think Broadway is "saved"

Updated On: 9/16/25 at 02:38 PM

Kad said: "Doomsaying is a weird hill to die on but you do you."

Based on the uptick with Odom Jr., I wonder if they will try to cast other originals after he leaves, as part of an ‘all-year long’ celebration. Odom Jr. had the more appreciated role (not by me — everyone I have seen in the role subsequent to him was just as good, if not better), but I would imagine getting two of the others, for instance Diggs and Goldsberry would extend the price resurgence ( IMO, they gave two of the best featured performances I have ever seen.

On another note, am I correct in interpreting a prior period post that, even if DBH does not return its investment on Broadway, it is likely to end up well in the black if the national tour(s) and subsequent regional productions, etc., are as successful as that poster suggested? If that is the case, I imagine that is how BVSC will return its investment. The grosses it has sort of settled into do not seem like they are going to return initial investment unless it runs for a long time, with ongoing good (if not great) weekly profits.

Call_me_jorge said: "How can Hamilton have an average ticket price of $1200, but a top ticket price of $352.36?"

They must be swapped by accident.

What a relief that we are not in the final year of Broadway's existence...

Those Hamilton numbers are WILD.

Even though most everything improved, I still think the shows that are close-ish to announcing a closing date are the same: Gatsby, Hell's Kitchen, Mincemeat, & Juliet, maybe Six, maybe Moulin

Even though most everything improved, I still think the shows that are close-ish to announcing a closing date are the same: Gatsby, Hell's Kitchen, Mincemeat, & Juliet, maybe Six, maybe Moulin"

Moulin still losing. Someone is keeping that alive for their weekly fees. At some point the investors have to realize/complain they are losing 200-400 a week from what should be their final profit statement.

Gatsby is pretty much one owner so he can lose if he wants. HK probably ready to quit - testing the AK concert model? Mincemeat, Juliet and Six all still have some weeks in profit.

Updated On: 9/16/25 at 04:02 PM

Angel of Harlem said: "How can it be 101% capacity?"

Standing room.