Featured Actor Joined: 3/8/22
I voted for the title number in Sunset. It was the most thrilling thing I've ever seen on stage. The audience went wild when the cast entered the theater through the side. Even that goofy gorilla worked.
Sutton Ross said: "Are we in a bad mood today? Because a few weeks ago you commanded me to "be nice". So....take your own advice or piss off. Nicole sucked. Kisses."
Oh I am being nice. THIS IS ME BEING NICE. Audra is a boring Rose. The whole thing was boring. Love you. Mean it.
Just think. A week after the Tonys this board will be dead again for a few months. Enjoy your "bitch session" now.
I'm sure i'm the minority, but my 'showstopper of the season' goes to the Act One finale of Old Friends. Seeing Bernadette appear with her parasol and saying just one word --- Harmony -- left me in tears.
Broadway Legend Joined: 4/26/16
The8re phan said: "I'm sure i'm the minority, but my 'showstopper of the season' goes to the Act One finale of Old Friends. Seeing Bernadette appear with her parasol and saying just one word --- Harmony -- leftme in tears."
And don’t forget, ‘In our perfect park,’ which she delivered impeccably when I saw Old Friends. That, and her part of ‘Not a Day Goes By’ were wonderful moments, along with Bernadette’s uncanny knack for ‘Send in the Clowns,’ made that show very special for me, as I had never seen her live (much less from the third row).
All of you are reminding me of how many terrific performances we got to see this season. While I was less enamored with Sunset Blvd. than many of you, Nicole Scherzinger gave me a new appreciation of ‘As If We Never Said Goodbye,’ a highlight of that revival. I wrote an ode to Audra’s performance of ‘Rose’s Turn’ last night so I won’t repeat myself.
But the song that still floored me was ‘Dear Bill.’ The careful construction of that song, and Jak Malone’s heartbreaking, perfectly timed delivery of it, was a one-act masterpiece I didn’t see coming.
Swing Joined: 8/19/22
Sutton Ross said: "BETTY22 said: "Audra’s Rose’s Turn"
Nothing was more extraordinary all season. Nothing."
For someone who takes it upon themselves to police what other people post and where, you sure have no problem repeating yourself in the same thread 75 times in a row. 🙄
Sutton Ross said: "BETTY22 said: "Audra’s Rose’s Turn"
Nothing was more extraordinary all season. Nothing."
Naaaah, it wasn’t that deep hun.
Aww Carlos, I miss you bb :)
Sutton Ross said: "Aww Carlos, I miss you bb :)"
I miss you too bb and even though our opinions may differ regarding Audra and her “Rose’s Turn” I will not be disrespectful about it.
CarlosAlberto said: "Sutton Ross said: "Aww Carlos, I miss you bb :)"
I miss you too bb and even though our opinions may differ regardingAudra and her “Rose’s Turn” I will not be disrespectful about it."
Mija, since when?
BTW I like the picture from the NYT article of her mouth open with the saliva oozing out. That one might win her the Tony.
DAME said: "CarlosAlberto said: "Sutton Ross said: "Aww Carlos, I miss you bb :)"
I miss you too bb and even though our opinions may differ regardingAudra and her “Rose’s Turn” I will not be disrespectful about it."
Mija, since when?"
Callate hussy!!! LMAO!!!
I expect Nicole to win the Tony and she's vocally just amazing, and the embellishment of Ivo Van Hove's filmed-live-outside-the-theater bit certainly blew minds in my audience, but I'm sorry...the three songs remain too stupidly written to move me or take me higher. Too weak in their understanding of the source material, and too lacking in wit or insight of their own. And nobody in that production seems to have agency beyond enacting direction. Easily Audra for me, I think she started very good in the number and has grown into a tremendously complex, exciting, and rewarding performance of it that moves me in a new way. Of course, the quality of the material helps.
Nicole is doing something really special in drawing you into Norma's psychology. While Audra's performance expertly brings the layers of Rose's Turn to life (I'd argue her performance doesn't sell quite as well in some of the few hours before that song), Nicole's performance extends beyond the writing and draws the audience in to Norma's psychology. It's those quiet moments of her numbers that I'll always remember - the way you could hear a pin drop in the audience and her pitch controlled in such a way that echoed the frightening grasp she had on her delusions. It's a performance that ranks in top few of the several hundred shows I've seen.
When the lights hit Norma before “with one look,” I was crying. It just was stunning and I knew her delusion.
There are multiple different entries for "Dear Bill" depending on capitalization and punctuation and word order. I wonder if the poll owner is going to combine them - because the automatic "percentage" is off due to the variations.
I wanted to vote for Real Women Have Curves, but they didn't give me the option although it was listed.
Yes, "Dear Bill" from Operation Mincemeat has gotten a phenomenal number of write-in votes. Putting all the differently-phrased entries together, it got the most number of votes.
This was not a scientific poll, and, as I told one of you who contacted me, there is no easy way to alter a Google Form after the fact. But what I did do is mention this astonishing result in my post 5 Takeaways from the Broadway 2024-2025 season.
One of the trends I write about is: The Irreverent was relished
(and I cite "Operation Mincemeat" as one of the examples)
I follow that trend with a countertrend The sincere was revered.
And then I add:
"It’s worth mentioning that even audiences of ‘Operation Mincemeat” have singled out the one song in the show that isn’t silly or slapstick: “Dear Bill,” a sweet ballad sung by Jak Malone about a love lost in war. (See, for example, the absolute avalanche of write-in votes for “Dear Bill” in my Broadway Showstopper poll.)"
Broadway Legend Joined: 6/13/22
Id vote for RWHC title number
Dear Bill isnt really a showstopper, its a punch to the gut.
I think both Jasmine Amy Rogers and Bella Coppola "stopped the show" with their big numbers but both were really Act 1 closers so
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