It all depends, jimmycurry. Sometimes it is a planned co-production with companies sharing the cost, such as Show Boat (which was conceived as a co-production between the Lyric, Houston Grand, Washington National, and San Francisco).
Other times a company will keep a production in storage and rent it to other companies. Depending on the production it may come with stipulations that the original director has to be hired to re-stage it, or at least offered right of first refusal, along with various other members of the design team.
And sometimes a company may no longer have the space to store a production so they may indeed try to sell it outright to another company instead of trashing it. That company may then decide to use it once or add it to their own rental stock. I worked for one company that bought several productions from other companies while I was there and subsequently made some money back renting them out.
Set rentals can provide a nice flow of extra cash for a company if they happen to own a well-designed production of a popular piece (such as Carmen, La Boheme, or Madame Butterfly, for instance).
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Just getting caught up on this. Wow. Great casting here. And so smart of them to cast mostly musical theatre actors instead of opera stars. That's what LA Opera did with their Little Night Music production (Laura Benanti, Victor Garber, Judith Ivey, Marc Kudisch, Michelle Pawk, Zoe Wanamaker, Kristen Bell) that's still burned in my memory.
Man, I am jealous of you windy city residents (and visitors) seeing this production with the full Lyric Opera orchestra, too.
This sounds like a perfect production for Great Performances and a nice opportunity for them to broadcast something that isn't NY centric.
Note: Another possible Broadway bound musical is playing in Chicago - Louis and Keeley Live at the Sahara. This is a musical about Louis Prima and Keeley Smith. Chris Jones review is further down the website page.
Final dress rehearsal was today. First public performance is tomorrow afternoon and opening night is Saturday night. Opening night is being recorded by WFMT - FM in Chicago and will be delayed broadcast on Sunday night (April 12) at 7:15pm CST.
"From Lyric Opera Twitter account https://twitter.com/LyricOpera Final dress rehearsal was today. First public performance is tomorrow afternoon and opening night is Saturday night. Opening night is being recorded by WFMT - FM in Chicago and will be delayed broadcast on Sunday night (April 12) at 7:15pm CST.
"
I could have sworn I'd posted that, maybe it didn't post. Oh well.
This cast/creative team is top notch - I'm sure Broadway is in the back (or front) of their minds. While I would love to see Laura Osnes back on Broadway, I was hoping in her next project she would create another original role.
Yeah, in that program linked above, there's an interview with Ashford where he defends his Depression setting (though he kinda says it's vaguely Depression and vaguely New England and "everywhere"... Hrmm) Some of what he says makes sense to me, some less so...