Is it really not okay to wish shows g**d l**k on opening night? If so, also adding "my best" to all involved! This is one of those shows I want to love, therefore I WILL love it no matter what!
Beyoncé is not an ally. Actions speak louder than words, Mrs. Carter. #Dubai #$$$
Though it’s surprising that almost [Hairspray's] entire creative team has decided to go a different direction with their new musical, Catch Me If You Can, which just opened at the Neil Simon, it’s not at all shocking that by abandoning nearly everything that made their previous show work, this one is a full-blown failure.
NYadgal, I'm bummed. We usually agree on things and I usually find you to be an open-minded poster. I didn't care for it very much at all, but really don't think that all of us who didn't like it are idiots.
NYadgal, I'm very eager to see this show - I know everybody's different, but were you a fan of Hairspray...and as far as your own personal taste is concerned, would this compare?
P.S. Haven't been here too long, are these types of threads strictly for reviews?
Beyoncé is not an ally. Actions speak louder than words, Mrs. Carter. #Dubai #$$$
Jay, I loved Hairspray (saw it 25x). Catch Me if You Can is nothing like it. As much as I told myself ahead of time that they're two completely different shows, I was still disappointed.
Hey Dottie!
Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany
Jay, welcome to BWW. (threads take on their own lives, so this is for reviews and whatever conversation takes place as a result!)
I saw Hairspray, and enjoyed it. I liked the two shows for different reasons. And, yet, I find it so interesting that people who I usually share the same opinions with have such a different opinion of this one... (I think that's part of what I love about theatre!)
"Two drifters off to see the world. There's such a lot of world to see. . ."
"Reggie - Aren't the people hand-picked out of many interviews, their statements somewhat scripted, and completely edited? It doesn't seem like it's a real good sample to me. Not saying their not enjoyable - I just doubt it's a good representation."
They aren't scripted, but they are hand-picked out of a few interviews, more to give everyone a chance to be shown online than anything else. Some people do give negative reviews - ex. next to normal was totally blasted by one of the reviewers, and the reviews for 13 were universally lukewarm (which I agreed with, but that's beside the point). It's just nice to hear what people who don't necessarily view shows the way I do (e.g. the process, the actors behind the characters) think of certain productions.
Thanks Dottie and NyAdgal...I hope this isn't one of those shows that I'm determined to love and only admit to myself six months after the fact that I was disappointed. But I'm optimistic!
Beyoncé is not an ally. Actions speak louder than words, Mrs. Carter. #Dubai #$$$
mixed-positive "Yet for all its many charms, “Catch Me If You Can” is not the thorough thrill that one might have hoped. The creators truncate the story as presented in the film. They keep probably the most memorable image in the film – DiCaprio escaping detection at the airport surrounded by beautiful women in Pan Am stewardess outfits — but make it part of a production number without the context or the suspense…the very things that held our interest in the film."
The Hollywood Reporter - Pretty mixed - on the positive side of mixed, I'd say...huge praise for the cast. http://www.hollywoodreporter.com/review/catch-me-you-can-theater-176795 "The super-slick new musical from the Hairspray team boasts superb craftsmanship, sophisticated design work, tuneful songs in a breezy range of ‘60s styles and a deluxe cast. So why does Catch Me If You Can stubbornly refuse to soar until it’s almost over?"
Scratch and claw for every day you're worth!
Make them drag you screaming from life, keep dreaming
You'll live forever here on earth.
Definitely nothing unexpected, as far as the reviews go - mixed/positive is what was anticipated. Brilliant cast, very good but not amazing show, bit of a wonky concept for storytelling.
I'm not a Newsday subscriber so I can't read their review to provide full info., but this is their headline "'Catch Me' fumbles at Neil Simon Theatre." If anyone is a subscriber and feels like copying/pasting, that'd be good, though given the headline, it may not be necessary.
Scratch and claw for every day you're worth!
Make them drag you screaming from life, keep dreaming
You'll live forever here on earth.
Pretty negative from Newsday. Here are the first few paragraphs.
News that the guys from "Hairspray" and "Dirty Rotten Scoundrels" were making a musical based on the movie "Catch Me If You Can" raised a couple of intriguing -- also daunting -- questions. How? And why?
That is, how could songs, dances and a Broadway stage add to the plot-heavy adventures of a real-life teen con man without losing the odd and breezy travelogue style of Steven Spielberg's 2002 film starring Leonardo DiCaprio and Tom Hanks? This is answered, sort of, by framing the kid's life as flashbacks on his own '60s TV variety show.
OK, then, why? Hard to guess, alas. Director Jack O'Brien, writer Terrence McNally, composer Marc Shaiman and co-lyricist Scott Wittman have made a slick, professional, conscientious and uninspired show that strains to fit Frank Abagnale Jr.'s improbably true tale into a stylized box of sentimentality and ho-hum retro-routines.
Begin at the beginning and go on till you come to the end: then stop.
AP is VERY negative - even slams Tveit. (Thanks smaxie - duly noted) http://abcnews.go.com/Entertainment/wireStory?id=13344305&page=1 "Played by Leonardo DiCaprio in the film, this time the role of Frank Abagnale Jr. has been handed over to Aaron Tveit. As pretty as a Ken doll and blessed with a wonderful voice, Tveit nevertheless struggles to convey genuineness"
Scratch and claw for every day you're worth!
Make them drag you screaming from life, keep dreaming
You'll live forever here on earth.
Despite these mixed reviews so far I still think Jerry Mitchell and Jack O'Brien did the right thing by focusing on bringing this to Broadway instead of "Love Never Dies."