Posted: 11/25/25 at 12:38pm
We attended the 3:00 p.m. performance on 11/23/25, and I feel this production is about a four out of five stars. My random thoughts (YMMV):
His sloppy accent notwithstanding, Nicholas Christopher is the reason to buy a ticket. I completely lost it during "Anthem". I need a musical in which this man stars alongside Jordan Donica (I don't know what musical that would be, but I need it).
I found Lea Michele to be adequate, but probably wouldn't miss her if she was replaced. Her vocals sometimes sounded squeaky. She wasn't bad, but she also wasn't the reason to see the show for me.
I didn't care much for Aaron Tveit in Moulin Rouge, and this role didn't change my feelings about him. His vocals during "One Night in Bangkok" were quite weak; he was consistently buried in the audio mix, his enunciation was poor (if I didn't know the lyrics already, I would've been lost), and his physical performance was amateurish and cringe-worthy. That said, I did find his Act 2 performance of "Pity the Child" to be surprisingly affecting; his vocals during this scene were quite good.
Bradley Dean is one of the most underrated and underutilized men in musical theatre. He is a much better actor, singer, and dancer than Tviet, and he is the only person in the show who can deliver an accent.
There are three eye-popping guys in the ensemble, but the extent of their assets doesn't become clear until "One Night in Bangkok".
I found the set and lighting to be largely uninspired, with "Endgame" being the only exciting scene from a physical production perspective.
Finally, it bears repeating that Nicholas Christopher is the reason to buy a ticket. If he's still in the show in May, I will likely go back just to see/hear him again.
"Michael Riedel...The Perez Hilton of the New York Theatre scene"
- Craig Hepworth, What's On Stage
Updated On: 11/25/25 at 12:38 PM
