ljay889 said: "Rehearsals are ready to begin! Just confirming, for those who saw it in London, these new large block title letters are a new set piece right? It seems like they’re going to be prominent in the transfer.
ljay889 said: "Rehearsals are ready to begin! Just confirming, for those who saw it in London, these new large block title letters are a new set piece right? It seems like they’re going to be prominent in the transfer.
The tweet and the new letters are getting some backlash from those that saw it in London. Curious how much is going to be changed?
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Elliot said in August that it won’t be a replica of the London production. Also, designer Bunny Christie wrote on Instagram that she is inventing new ideas for Broadway. I’m not surprised that this team is reworking the production.
Backlash? Puh-lease. A changed set design isnt EVER going to effect ticket sales.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
I wonder where/when/if these letters will be used?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Random prediction, what if they have actors pushing them on or around stage at random times or scene changes - letter by letter - something a bit ‘conceptual’. Then by the time ‘Being Alive’ is sung on stage they are all there (instead of the existing Company neon backdrop). I will admit that the stage always seemed a little bare for Being Alive. So it would help fill space and also help tie all the scenes together for Being Alive?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I agree, it’s definitely going to be conceptual. The sketch on Christie’s Instagram shows the letters scrambled/mixed up, which Like you said could happen in the beginning and they come together in order by the end when Bobbie makes her decision.
It's interesting how varied the productions of this show have been--it seems to me more so than anything else in the Sondheim canon, barring Merrily (also a Furth book), but the latter really is more related to changes in the script which then necessitate a change in the staging concept. Company has used (essentially) the same script in each production, but those productions vary enormously in terms of their staging concepts.
My wife and I just bought tickets to see this show, and I could not be more excited. I really enjoyed the London cast recording, adore Marianne Elliott's, and have been in love with Katrina Lenk since The Band's Visit. And need I even mention the inimitable Ms. Lupone?
All that being said, I can't help but think: that Marianne Elliott sure does love neon, huh?
ljay889 said: "I wonder when they're going to announce the rest of the cast? Was there an ensemble in the London production or were they just used as understudies?"
Company never had an ensemble. The original production had a "vocal minority" who also understudied various roles. No previous revivals have used the vocal minority.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I know Company doesn’t have an ensemble, although the Philharmonic concert did, but that doesn’t really count. I didn’t know if this production used any extra bodies for the wedding and club scenes or not.
ljay889 said: "I wonder when they're going to announce the rest of the cast? Was there an ensemble in the London production or were they just used as understudies?"
According to The Ensemblist, the show will not be employing an ensemble.