Can you call "Cats" a musical?

I think it's a musical because it does have songs in it.

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I have a new answer. It's a musical because before 'Phantom' it was the longest running MUSICAL in Broadway history.

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first of all...

"It's a musical because before 'Phantom' it was the longest running MUSICAL in Broadway history."

major kudos, elphaba. this show's extremely underappreciated.

second, it's most definitely a musical. for one thing, its quite challenging to find a revue show that succeeds at establishing a plot (if you're clever enough to figure it out.. not hard). If i had to classify Cats as anything but a musical it would probably have to be an operetta.

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Yes CATS is a musical.

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Yes, it is very much a musical. And I hate the whole, "Cats does not have a plot" argument. Here is the plot for you:

Every year, these Jellicle Cats have a Jellicle ball where they gather and Old Deuteronomy (symbolic of God) decides who among them are worthy enough to be reborn again and live another life. Throughout the musical, the cats introduce themselves and each other to show Old Deuteronomy and the audience why they are the best candidate to be born again, but it is Grizabella who has won that honor because she has lived a full life and is now shuned by all of the cats (Symbolic of "The meek shall inherit"). To me, Macavity represents Satan or something similar by trying to cause the Jellicle ball to be stopped by kidnapping Old Deuteronomy so no cat is chosen to be reborn.

Now, I thought of that within 5 minutes of sitting here. So, yes . . . there is a plot and it is a musical.

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My idea of "revue" is something that has sketches intertwined with songs. Sugar Babies would be a revue.

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Any theatrical production where the cast sings is a musical, no matter how developed the plot. So both Company and Cats are musicals.

Double the post, Double the pleasure!

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Updated On: 5/27/06 at 11:07 AM

hahaha. Well, HUZZAH!!

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I prefer to call it the Spanish Inquisition, an implement of torture. Geez I hate this thing.

I wouldn't be adverse to calling "Cats" an opera since I already consider "Evita" and "Jesus Christ Superstar" to be operas due to their lack of a book or spoken dialogue. I have always considered "Cats" to be a musical, though. It does have a plot. It has an extremely detailed through line narrative if you choose to look closely enough. It's clear to me that a great deal of thought went into the devising of the order in which things needed to occur in order to tell that story better. It starts off during "The Invitation to the Jellicle Ball" letting you know exactly what the story is and then by the end of the night raps things up with the prostitute Grizabella's being chosen to start life anew.

The poems by Eliot are brilliant. The amount of creativity that went into them, and the wealth of knowledge one very much needs in order to understand each verse, and the comedy, tragedy and underlying themes presented in each one is a difficult task. I will even admit to not being able to understand, sometimes, Eliot's very sophisticated British phrasing.

It is very much a "concept" show due to the fact that T.S. Eliot had drawn up "sketches" for the purpose of using and incorporating the poems into an "evening" and I've always been rather impressed as opposed to finding it ludicrous that Webber, Nunn and Lynn were able to construct an evening of musical theatre, after Eliot's death, with the ban that the Eliot estate put on the inclusion of original material. They were therefor forced to create a "plot" using the unpublished poems of Grizabella, Eliot's "Rhapsody on a Windy Night" and fragments based on two phrases:

"Jellicle cats come out tonight, Jellicle cats come one come all. The Jellicle moon is shining bright, Jellicles come to the Jellicle Ball".

and the unpublished idea of Eliot's that a cat would eventually travel "Up, Up, Up past the Russell Hotel. and "Up, Up, Up to the Heaviside Layer".

It is very much a story of redemption and exceptance that ends up being a heavy subject matter for a show that is often considered to be a children's musical.

Updated On: 5/27/06 at 12:38 PM

Cats doesn't have a real plot. I think it's more of a theme. All I've read here doesn't really point to plot. I must admit that sitting in the theatre people didn't really get what was going on. I found myself saying "Ok so a cat will be reborn. That's nice". I really didn't care much. I mean for me there has to generally be an antagonist and protagonist for a real plot. Someone's got to want something and have an obsticle. Usually the play will be about how this person overcomes this obsticle or doesn't. In Cats, It's just a bunch of people doing tricks. I don't see any major obsticle that the cats work to overcome. If you're thinking the other cats then the stakes simply aren't high enough. Frankly you don't get a sense of any of that. You don't really know what's going on. With a work like Eliot's Cats, you need to SHOW what's going on. IT IS theatre.

If you look at Company, Bobby the central character wants a relationship a serious one. What is the obsticle? Fear. Fear of failure, etc. The show is about how Bobby deals with it. I think it's interesting that the end of the play doesn't answer the question...much like Caroline or Change. But those are loose plots. However, they're all musicals.

SOndheim and Michael John say that the difference between a musical and other forms is where they are played. Is it an operahouse with an opera audience? OR is it The Gershwin with the theatre crowd. I think esp now days that's the only way to really seperate them.