Wow, I didn't expect this to blow up this much (aw, who am I kidding? Of course I did). Just some drive-by responses:
HeyMrMusic said: "O man, the blatant racism on this thread is astounding.
Talking about race is not racist.
Nowhere in Wicked does it say Glinda is white. She is blonde, so put the nonwhite actress in a blonde wig, which is what they do for every single actor who has played that role.
And I wouldn't have a problem with that. But that's clearly not what they want to do. So to wish for it to happen is pointless.
Showface said: If the actor is talented, and though you may not see it , the talent range of minority actors are just as high as white actors! *Gasp*.Did you know that??? Did you know it's possible to me not white and still....
talented?!?!??!?!?!
Of course. My comment was in response to wonderfulwizard's remarks about casting a minority just to give them an opportunity, with an implication that they're being cast because they're a minority, regardless of who gave the best audition or who best fits the creative team's vision for the character.
Showface said: So...they're going to write about the white experience? White culture? Do tell me...what exactly is that?
Are you saying white people have no culture? That we're all just a homogeneous blob of white on the cultural landscape?
Just make race less characters and have a diverse cast!
It's not rocket science.
There's no such thing as a race-less character. A person's cultural heritage is part of their character. I mean, yeah, you can write superficial characters who can be played by anyone. And as a writer myself, I try to write race-less characters. But once I start delving into them, I realize, wait, this character's experiences, maybe even their style of speaking, would be different depending on what race or ethnicity they are. And I have to commit to one.
The "writers write what they know" part of my last post seems to be a particular sticking point for people. I'm not saying white writers can't or won't write about other races. I'm saying they're more likely to write about white people. Which is obviously true, or we wouldn't be having this discussion. Playwrights, screenwriters, novelists all tend to write within their own cultural experiences. And that's fine. Jonathan Franzen is never taken to task for always writing about white people. And I don't think dramatic writers should be held to a different standard just because other people's employment depends on what they write.