Broadway Star Joined: 6/5/03
Sad to report that I have to join the choruses saying this show is in very poor shape. Saw it last night with some friends and we all agreed it's a mess. Her fans may appreciate it but everyone else will be bored. There were large stretches of book scenes that didn't add up, and once she gets to Nashville, everyone becomes an "Hee Haw" cliche. The drama with Porter Waggoner plays like a Wikipedia page. Once she gets to Hollywood, they whip through all the things we're interested in and suddenly she's unhappy with success and she wants to go back to Nashville I didn't know what was going on. There's basically no choreography, and the staging is stiff. The sudden use of live video felt totally gratuitous. If they ran it in Branson, or Dollywood, it would run forever. The audience was very much a country music crowd. It's just not a satisfying musical.
Stand-by Joined: 7/27/25
Broadway Star Joined: 6/14/11
jlindsey865 said: "I’ll be interested to see who reviews the Nashville run. There aren’t any actual theatercritics in the city."
Patiently waiting to see these reviews pop up. While doing a Google search I stumbled onto a Dolly Parton Facebook Fan Page and boy, even they could see the sloppy mess the musical is, which speaks volumes. These fans obsessively know her work and life journey and intelligently broke things down, from not only the long running time and the sugar coating to the wigs and costumes recreations. Many even agreed the show as it stands would never make it on Broadway. This Nashville audience is quite sharp and sophisticated.
Stand-by Joined: 7/27/25
I’m sure they’re sophisticated when it comes to Dolly Parton. Them not liking the long running time tells you exactly what kind of audience they are. They should just do a Dolly Parton revue and make it as expensive as possible. People want the songs and costumes, who cares about her life
Stand-by Joined: 7/27/25
At least one of those stills has a lot of telltale signs of generative AI in the video backdrop. But nobody seemed to care when Death Becomes Her definitely used (obvious, hideous) AI "artwork" in at least three scenes, and the producers of The Wiz got away with outright lying about their screensaver sets, so I guess they can get away with it if so. A real shame.
Updated On: 8/10/25 at 02:23 AMUnderstudy Joined: 10/6/12
Stand-by Joined: 7/27/25
Swing Joined: 3/28/19
Broadway Star Joined: 3/29/23
Dolly Parton's Musical Is a Triumph - American Songwriter
https://americansongwriter.com/dolly-partons-musical-is-a-triumph/
MezzA101 said: "Dolly Parton's Musical Is a Triumph - American Songwriter
https://americansongwriter.com/dolly-partons-musical-is-a-triumph/"
A country music industry publication would also be raving at a new attraction added at Dollywood. This is far from a legitimate theater piece review.
Got the chance to catch this one this week - in short, it’s far from ready…however, it’s very fixable and there’s definitely good bones. If they can make the proper cuts o could see this one being entertaining enough to be critic proof, like MJ or BEAUTIFUL.
the first act is absolutely plodding, like watching a funeral procession. Lots of gaping pauses in book scenes, low stakes, and seemingly endless (95 mins). The second act moves breathlessly fast and only goes skin deep in terms of real drama, but it has energy, tender scenes that showcase Dolly’s relationships, particularly with Carl Dean, and is packed with all her biggest hits. The audience was cheering for female-empowerment one-liners from Dolly throughout Act 2, moving to the music, and were clearly enjoying themselves after being nearly silent for almost all of Act 1. If they can economize Act 1 to match the energy of Act 2, it’ll be fine and will run forever.
The other major problem is that the two leading ladies are simply not in the same league. Katie Rose Clarke is giving a Tony-worthy performance as the eldest Dolly. She disappears into the role; nailing Dolly’s vocals, sense of humor, cadence, and body language. The same unfortunately cannot be said of Carrie St. Louis as middle Dolly, who feels like an imitation of Megan Hilty in 9 to 5, but with less power. Ms. St Louis is not driving the scenes at all, and is surprisingly vocally very weak in power and off pitch (a sequence at the Opry where Dolly yodels, meant to be impressive, fell so flat it hurt). Why they aren’t following BEAUTIFUL’s model where one adult plays the role through adult life is beyond me…Ms. Clarke could easily play younger and do the role throughout. It only makes things more confusing that John Behlmann and John Zjdrolski play Carl and Porter throughout their years, but Dolly isn’t given the same rules. It would also help the overall flow of the show to follow one actress throughout so we could really invest in her journey and root for her to win.
So, all in all, it was rough…and high art, even with lots of work, this is never going to be. But if they can just get over this rough patch, make some tough decisions, and excise the fat in Act 1 - this has the bones to be a long running, tourist-driven hit.
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