A8: Just as a thought experiment, I'm honestly curious whether your response might be more positive if this libretto had been set to a new and beautiful score by a resurrected Richard Rodgers, instead of the music that Ms. Tesori has given us (or foisted on us, if you prefer). Same book, more or less the same lyrics (altered as needed to fit classic golden-era song structures), altogether different music. Even hypothetically, it's pretty impossible to imagine, on any number of counts; but in theory, it might at least improve "the music she is singing and the manner in which she is singing it," by your standards.
But I'm not clear whether even that radical "what-if" scenario would necessarily make "what she's singing about" any less "unpalatable" to you. Would it?
What is it that she's singing about, do you think? You say you "excluded the sexual component because people have asserted there is none," but do you agree that there is none?
How would you describe the subject of "Ring of Keys" to someone who'd never heard it? "This little girl comes onstage and whines to horrible music for three minutes about..." what, exactly?
Updated On: 5/2/15 at 10:52 AM