Assuming you mean failed musicals based on movies (not failed movies), there are way too many of 'em. A few that immediately come to mind:
BREAKFAST AT TIFFANY'S LA STRADA HIGH FIDELITY FOOTLOOSE URBAN COWBOY
2016 These Paper Bullets (1/02) Our Mother's Brief Affair (1/06), Dragon Boat Racing (1/08), Howard - reading (1/28), Shear Madness (2/10), Fun Home (2/17), Women Without Men (2/18), Trip Of Love (2/21), The First Gentleman -reading (2/22), Southern Comfort (2/23), The Robber Bridegroom (2/24), She Loves Me (3/11), Shuffle Along (4/12), Shear Madness (4/14), Dear Evan Hansen (4/16), American Psycho (4/23), Tuck Everlasting (5/10), Indian Summer (5/15), Peer Gynt (5/18), Broadway's Rising Stars (7/11), Trip of Love (7/27), CATS (7/31), The Layover (8/17), An Act Of God (8/31), The Curious Incident of the Dog in the Night-Time (8/24), Heisenberg (10/12), Fiddler On The Roof (11/02), Othello (11/23), Dear Evan Hansen (11/26), Les Liaisons Dangereuses (12/21) 2017 In Transit (2/01), Groundhog Day (4/04), Ring Twice For Miranda (4/07), Church And State (4/10), The Lucky One (4/19), Ernest Shackleton Loves Me (5/16), Building The Wall (5/19), Indecent (6/01), Six Degrees of Separation (6/09), Marvin's Room (6/28), A Doll's House Pt 2 (7/25) Curvy Widow (8/01)
Technically, Elmer Gantry, East of Eden, Lolita, High Fidelity and Breakfast at Tiffany's are adapted from novels that were famous on their own, regardless of whether there was a movie.
Updated On: 7/26/09 at 01:34 PM
I made this list of movies to musicals from the mid 90's (I really think 9 to 5 and Shrek will go to the FLOP list soon):
HITS THE LION KING THE FULL MONTY THE PRODUCERS HAIRSPRAY SPAMALOT MARY POPPINS
FLOPS HIGH SOCIETY FOOTLOOSE SWEET SMELL OF SUCCESS SATURDAY NIGHT FEVER URBAN COWBOY THOROUGHLY MODERN MILLIE DIRTY ROTTEN SCOUNDRELS CHITTY CHITTY BANG BANG THE WEDDING SINGER TARZAN GREY GARDENS HIGH FIDELITY LEGALLY BLONDE XANADU CRY-BABY YOUNG FRANKENSTEIN THE LITTLE MERMAID
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE
I wouldn't consider Grey Gardens a movie musical. Yes, Act II was based on the documentary, but it was more based on the two women's lives than the film itself.
'if we're talking about money, then sure, MILLIE flopped, but in the area is fans, or people wanting to see the show... I think it did fine'
Everyone has a different definition of flop. Technically, a flop is a show that has not recouped its initial investment. But some shows that were financial flops were not flops in terms of audience acclaim. Xanadu is one example I can think of. Audiences loved it. Even so, it wasn't pulling in enough money to stay open.
By the way, it is RHETORICAL.
"We like to snark around here. Sometimes we actually talk about theater...but we try not to let that get in our way." - dramamama611
If we're talking about money, then sure, MILLIE flopped, but in the area is fans, or people wanting to see the show... I think it did fine.
By that logic you'd have to say that every show is a hit since every show has it's fans. There are some brilliant artistically satisfying works that have played on Broadway that I'd love to call a hit in terms of artistic success, but at the end of the day it's all about money.
Hazel Flagg Carnival in Flanders Georgy The Baker's Wife Seven Brides for Seven Brothers Meet Me in St. Louis Singin' in the Rain Ballroom Illya Darling Nick and Nora Henry, Sweet Henry Eating Raoul Carmelina The Fields of Ambrosia Here's Love King of Hearts High Society Cry-Baby The Goodbye Girl Smile State Fair Dance of the Vampires Woman of the Year Victor/Victoria Passion
Begin at the beginning and go on till you come to the end: then stop.
In terms of flops and hits I prefer to go based more on the criteria Ken Mandelbaum used in determining what shows he would cover in "Not Since Carrie." I don't have the book with me, but I remember at least some of the aspects he also looked at were critical reception, audience reception, the length of the run, and the show's life after Broadway on the road, amongst regional, educational, and community theatres.
To often we hear complaints about the crass commercialization of Broadway, but then we only use the term hit if something makes back its initial investment and apply the term flop to everything else, thus classifying Broadway only by its most commercial aspect.
To often we hear complaints about the crass commercialization of Broadway, but then we only use the term hit if something makes back its initial investment and apply the term flop to everything else, thus classifying Broadway only by its most commercial aspect.
It makes perfect sense to me, as it is the only objective way to determine the success of a specific production.
Everything else is up for debate, but there's no in between with people investing a certain amount of money and the show making this money back or not.
Some people take it personally when their favorite show is labeled a "flop", but this has nothing to do with the quality of the production or the show itself, it just means that the specific production didn't make it financially.
I'd say a lot of the best shows I've seen Broadway have been flops.
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE