Willie4316 said: "Perhaps someone could explain how I would purchase TN or TR seating, I can't seem to find it on Telecharge
"
At this point they might be all gone? If you do it on the computer and press select your own seats, it should show you everything that's available. I've seen the TN available several times in the past, finally got it a couple of week ago, it wasn't even premium price!
What makes a seat premium vs full-priced for the same day/time performance? For example, BC23 for the 8/19 evening performance is full-priced but for the 8/26 evening performance (both Saturdays), it is considered premium ($20 more).
Random question as well! Does anyone know if Lucas Steele performs both shows on two-performance days?
Hi folks. Curious about the view from seats BG 2 and 4? Went to box office today and they were the only on stage seating left for the date I could go with the broadwaybox code. Thrilled to be going and sitting onstage, just wondering what the experience is like!
My partner and I will be in New York for Labor Day weekend, and we'd really like to see this show before it closes. We're thinking of going to the matinee on Saturday the 2nd.
I don't know a ton about this show other than that it's supposed to be a unique theater experience, and that apparently you get different views of the action depending on where you sit. I may or may not get around to listening to the cast recording beforehand.
So with that in mind, where should we sit for our one shot at Great Comet? Money is not infinite, but we also want a good experience.
(Also, I cannot figure out for the life of me where to enter discount codes for this show on Telecharge. Unless both shows on the second are blacked out, which wouldn't surprise me.
For Telecharge, you have to go to a separate website www.telechargeoffers.com and enter your code there. Very different (and less convenient) than Ticketmaster.
However, the Broadway Box code is blacked out for 9/2 and 9/3.
Does anyone know what the view from TC 1/2 is like? I'd love pictures, if anyone has any. I've heard that those are the stage seats they give away at rush, but if they're really bad I'll go for front mezzanine seats instead when I rush.
Kitsune said: "My partner and I will be in New York for Labor Day weekend, and we'd really like to see this show before it closes. We're thinking of going to the matinee on Saturday the 2nd.
I don't know a ton about this show other than that it's supposed to be a unique theater experience, and that apparently you get different views of the action depending on where you sit. I may or may not get around to listening to the cast recording beforehand.
So with that in mind, where should we sit for our one shot at Great Comet? Money is not infinite, but we also want a good experience.
(Also, I cannot figure out for the life of me where to enter discount codes for this show on Telecharge. Unless both shows on the second are blacked out, which wouldn't surprise me."
Where to sit is almost a religious question .
Given that you are only going to see it once. I'd actually recommend the front Mez, being mindful to avoid the extreme house left (last few seats) as you'll miss something in Balaga if you sit in those extreme seats. Front mez gives you a good overview of everything.
Has anyone sat near Right Side (sect 1) Rear Mezz Row D Seat 4?
I've seen the show twice before and need to see it at least one more time before it closes, and was curious what the view is like from up there? Don't quite have it in my budget to go closer, but I've been lucky to be front mezz and on stage before so I'm very familiar with the show.
Any information on the box seats? I know they are only sold at the box office but what is the price and how is the view?
~Avatar: Alan ming~
~Official Member of GFU~ ~Member of C...FU, whose official color is cat blue, which is quite different than royal blue!~ ~Because no one puts Mary in their signature~
~"OMG I Peed!" -Anthony Rapp (His reaction to the 'Everybody Has AIDS' song from Team America
Would anyone consider right orchestra toward the back on the aisle better than center orchestra right behind where the stage snakes through? Not sure if being right where the stage cuts through the orchestra would mean obstructed views at any point in the performance or if it means extra performer interaction.