Among other things, Matthews says that "she has no real black friends and has never needed to have them because that's not part of the equation of rising to the pinnacle of success on Broadway. Think about that. White people literally need not one black person to become a Broadway sensation." (That's all a direct quote, with no intervening words removed.) He concludes that "Broadway is racist."
I assume he's talking about Diane Paulus, since he was a co-writer of Invisible Thread/Witness Uganda, which Diane Paulus directed in the original production in Boston as well as in New York. He calls her "Amy Cooper," but he says she's a Tony-winning artistic director who teaches at Harvard, and I think Paulus is the only one who qualifies.
The problem is, he says she's white, and she's not. Her mother is Japanese. Her parents met when his father was in Japan after WWII. This is not a secret. She has mentioned this many times in interviews.
Matthews is ranting about a "white person," even though she is actually a person of color. And he is accusing this person of color of being unaware, even though he misidentifies her because he automatically assumed she was white. So he kind of sounds like an idiot.
And some of his ranting is below the belt - saying she doesn't have a "real" black friend? He doesn't know her well enough to know her heritage. How does he know whether she has a "real" black friend? And then he says stuff like she can't make a decision on her own and that she steals from other people behind closed doors. Ouch.
He doesn't like her -- fine. But he's made himself look bad by posting this.
Updated On: 6/1/20 at 08:10 PM