I think they really blew this one. Mary Testa had a lot more to do in the show in that number -- and stopped the show in its tracks -- well, actually started the show -- and her contribution was short-changed.
I thought all of the performances were kind of "eh." I mean, I just expected them to blow the roof off the place, but two shows (Billy Elliot, West Side Story) picked numbers with little to no singing, and I was just disappointed.
I was really impressed with Titus though. I mean, he's on national television, and two seconds before he starts, he is told his mic isn't working and he's handed a new mic, and he wasn't thrown. He handled it like a pro.
That number was awful. It was like they were trying to keep people from buying tickets to Guys and Dolls. Was it by chance produced by Bialystock & Bloom?
I feel bad that Titus' mic wasn't working, really, the sound was awful all throughout, I was very disappointed by it. Overall, it was lackluster, even if at the theater Mary makes it a really strong number. I didn't think it was bad at all, I just didn't think it played as well as it does in the theater. It's such an awful production that I don't think a Tony number would have done much for them.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
I'm going to agree here. I was so set to get last minute tickets for this on the 20th, despite what I have read here, but I think I might forget it all together. Sadly, Shrek looked better, and I dislike the movies. But, Christoper Sieber drew me in.
"I don't want the pretty lights to come and get me."-Homecoming 2005
"You can't pray away the gay."-Callie Torres on Grey's Anatomy.
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I enjoyed hearing the stage guy say "I'm on it..I'm on it" as he rushed the microphone out. I thought the number was so-so, until Mary Testa started in, then it took off and our viewing crowd loved it.
I'll never understand what anyone likes about Mary Testa in this show.
I remember when I questioned this back when the show came out, another BWW poster described her performance as "vile." That's the perfect word to describe her in G&D.
I actually kind of liked the number. I wasn't expecting much and the mic situation seemed to cinch it, but then Titus Burgess sailed into the song without missing a beat. The number was slow to start but finished well, although I found Mary Testa to be her usual, hoggy / hammy self. She's so over the top even Yankee Stadium's roof is to low for her.
Correct. "Sit Down You're Rockin' the Boat" was not one of the better songs in the production. Why didn't they feature a number with the entire cast (Nathan, Adelaide,etc)?
I would have liked to see more of "Luck Be a Lady," (yes, I know it was in the opening number) especially since "Sit Down..." was performed previously on the Tonys. But I give props to Tituss for doing a good job despite having microphone issues at the beginning.
"We like to snark around here. Sometimes we actually talk about theater...but we try not to let that get in our way." - dramamama611
The number was really bad. What the hey was Titus singing at the end? It certainly didn't sound like Loesser. And how could the choreographer ever justify what the men were doing with those chairs? Has anyone ever been to a spiritual revival where they lifted chairs? And why would Titus walk along them? Just terrible. Give me Stubby Kaye anyday.