The pop opera about Imelda and Ferdinand Marcos marks its official opening night in a Broadway theater converted into a lavish disco
https://www.washingtonpost.com/entertainment/theater/2023/07/20/david-byrne-imelda-marcos-love/
"The show’s reductive politics — clarified to some degree by the song of revolution, sung by Moses Villarama, that ends the production — is one of its least compelling attributes. Indeed, as it spends a lot of time compassionately examining the roots of Imelda’s vaulting ambitions, the musical could have been subtitled “The Seduction of Imelda Marcos.”
The show’s own ambition, though, is to find a hot, modern beat for heated political events, the way Webber and Tim Rice accomplished in their sung-through “Jesus Christ Superstar” and Lin-Manuel Miranda did for “Hamilton.” And Timbers, a Tony winner for the splashy ministrations of “Moulin Rouge!,” knows how to keep things moving."